Teaching Revolutionary China : China 1927: Memoir of a Debacle

A book that seems to have worked well for me in my teaching is Zhu Qihua China : China 1927: Memoir of a Debacle

The class was History of Modern China,, syllabus here

I was hoping that the book would draw students into “Revolutionary China” i.e. the China that was going to be transformed by an act of violence (physical, political or social) into a New China. The book itself is a memoir of Zhu’s participation in the Northern Expedition of 1926-27. He was a Left Guomindang/CCP type who worked as a propaganda officer with the troops of the western line of march i.e. headed to Wuhan.

It is a lively enough book, with some shooting and excitement, although does drag a bit in places, and lacks the either the clear plot of a fictional narrative or the “wartime absurdity” of a more literary memoir. Although Zhu is in some respects the The Good Soldier Švejk, he is not really aware of it. Instead, he is a dedicated revolutionary who is happy to commit his life to saving China. He does a lot of name-dropping (He meets Mao, Zhou Enlai, and lots of other important people) but the point of assigning the book is not to give a narrative of the Northern Expedition.

The main use of the book is to portray a revolutionary cadre and the contradictions of the revolution. Zhu is propaganda official who gives speeches, organizes groups and publishes things. He also engages in office politics and criticizes all of his rival units who are just going through the motions and trying to profit from the revolution. He could be Chairman Mao criticizing the bureaucratization of the party sometimes.

Although he (and the students) may sometimes doubt how much good his propaganda is doing, he does take a broad view of what he is work, and what the revolution is. He both drawn to the peasant Red Spear rebels and contemptuous of their political backwardness. (The masses are such a disappointment sometimes.) He talks a lot about his admiration for female comrades who were willing to abandon everything  for the revolution, and he is aware of how much more they are risking than he is. He also spends a lot of time speculating about their sleeping arrangements and trying to romance them. He never seems clear on the difference between a  revolutionary cadre and a traveling member of the traditional literati. We visit a lot of scenic spots and eat a lot of good food in this book. He is part of a revolutionary army that sometimes behaves like a warlord army, and he is aware of this.

I think the students enjoyed it, but more importantly, I got a good set of papers out of it. This was in part because they are good group of students, but also because the book gives you so many ways to get into interesting topics. It is the most readable introduction to the contradictions and of being a revolutionary that I know of.

“North Korea: Hangover of the 20th Century”

Missouri Southern State, Pittsburg State’s rival/sister school across the state line in Joplin, does “international semesters” in the Fall, and this year the theme is Korea. They invited me to present a talk, and I’m kind of proud of the title I came up with. A lot of things could be thought of as historical hangovers: might be a good theme for a series! Here’s the short version:

North Korea is often portrayed as a ‘rogue state’ and ‘unpredictable’ but like any other state it has a history which has to be taken into account to make sense of its present. Throughout the 20th century, Northern Korea has been on the front lines between empires, and between imperialists and liberators. The end of the Cold War globally has not solved the Korean separation the way it solved the German one, though the ideological rhetoric has changed. North Korean leadership invokes this history regularly to explain and justify its positions, and this has to be taken seriously in any analysis of North Korea’s 21st century development.

Along with Imperialisms past and present, North Korea’s nuclear weapons and missile programs are offshoots of 20th century processes of proliferation, in which weapons technology passed from state to state, sometimes intentionally, sometimes not. Perhaps more importantly, North Korea is drawing on the experience of disarmament over the last 25 years, a process that has not always gone well for states that surrender their nuclear weapons capacity.

All this is true, but perhaps more importantly, it appears to be the foundation of the North Korean understanding of how we got to this point, and what matters in this moment: regime survival in the face of multiple hostile controlling empires. We are historical beings, etc.

The basic argument isn’t probably going to be surprising to any of our regular readers, but I thought it put things in perspective well enough. There’s a subtle undercurrent towards the end of me disagreeing with Dr. Sheena Greitens, whose talk a month earlier focused on shorter-term considerations, but nobody seems to have picked up on it. (I’m somewhere in that audience too, but I can’t find me in the pictures).

You can watch me deliver the whole thing, all 72 minutes worth! I’m not doing a TED talk anytime soon, but it’s not a bad version of my lecture style: I work from outlines instead of writing things out, I like maps, and if I don’t have a clock that I can see, I don’t leave a lot of time for questions. Also, as my mother pointed out, I tend to talk to the map more than the audience (the audience was a little more sparse than when the governor’s wife came, so there weren’t a lot of faces to address directly). Mostly, when I watch myself lecture, I focus on what I could have said or should have added if only I’d had more time, but given that I wasn’t going to just rapid-fire read something, it’s OK.

If you just want to see the maps (and one Kim family chart), the slides are here. I’m available for children’s parties, corporate events, or community festivals…

Art and War in Modern Japan

If you teach Modern Japan you are probably used to having lots of cool pictures to show your students. You probably pinch a lot of them from the MIT Visualizing Cultures site. A new book that you should be aware of is.

Hu, Philip, Rhiannon Paget, Sebastian Dobson, Maki Kaneko, and Andreas Marks. Conflicts of Interest: Art and War in Modern Japan. Saint Louis: University of Washington Press, 2016.

This is based on the impressive collection of Japanese war-related prints, board games, clothing etc at the St. Louis Museum of Art. There was apparently an exhibition, but I missed it at the time. They have nice pictures of images you have probably seen before, but also lots of stuff I have not seen before.

Rowdy Satsuma women disturbing the peace in 1877. (All of these have great descriptions to explain the context.)

The Battle of the Yalu, looking a bit less glorious than it does in many prints

Taiwanese rebels

The girl he left behind (from the cover of a novel)

 Fukuchi Gen’ichiro as a war corespondent
In addition to prints they also have other forms of patriotic propaganda. You may tell your students about the cult of the three human bombs, who bravely sacrificed their lives for Japan, but do you have a Kirin beer three human bombs ad to show them?

There are also some good essays on how war fits into modern Japanese visual culture.

There is a lot more in there. This book makes a great gift for the Japan person in your life. I assume you can get it from the museum shop, but is is also available on a well-known South American website.

Internet Culture and Rough Music

Not really a post, but more of an idea. I ran across this, about victims of the alleged Las Vegas  shooting who are being harassed on-line. I say alleged, because apparently there a lot of Second Amendment Enthusiasts who are convinced that the mass killing is a government or liberal or Illuminati conspiracy that will, of course, lead to grabbing our guns.

O.K., so nutjobs are sending you nasty e-mails and abusing you on Facebook. What is a spam filter for anyway? Toughen up buttercup! On the other hand, most of us now have an electronic life that is just as real as our meat-space life. College faculty often tell our students not to put their social life on the internet, since it may come back to bite you later, but that is advice from the Middle Ages or the 1980’s or something. If your social life is not on twitter then you have no social life.

Rough Music, under several names, was the “carnivalesque rituals of mockery through which communities displayed disapproval of moral and social infractions.” In olden times community meant people you might physically meet, or, if you were important enough, people who might abuse you in print. Now it is everyone. There is now a universal community that can abuse you, although you have no idea what your connection with them is or what may annoy them. It makes me think of Chinese people studying the 1971 People’s Daily to try and figure out what might be about to come down on them.

One thing I take away from this is that we (meaning the legacy media and the people who act like it) should take internet harassment more seriously. I don’t go with those who claim that speech is literally violence, but it can be an act of serious social exclusion, and if you are the target (or the shooter) it always hard to know where the dividing line between symbolic and physical violence will be drawn.

Historians have worked on how technological change has created new communities. They have worked on it a lot. Ideally, someone should write a book on how all the Early Modern Europe stuff on grub street publishers and a new print public and the Asian world of electronic communities, from the search engine of flesh (人肉搜索) and all the forms of on-line shaming that go on in Japan are informed by each other. I am busy today, however, so if you have written this book, or ideas for it, please post it in comments.

 

Rough Music and Charivari: Letters Between Natalie Zemon Davis and Edward Thompson, 1970–1972

https://www.theguardian.com/us-news/2017/oct/26/las-vegas-shooting-conspiracy-theories-social-media?CMP=share_btn_fb

North Korea in the News-Trump is a dotard

As some of you may know, Kim Jong-un has referred to Donald Trump as a “dotard“, and this has caused a good deal of comment. Does this mean that Kim has “cracked open what apparently was a 1922 edition of the OED and called the president a “dotard.”” ? Maybe, or maybe not. The western press loves to make fun of Asian governments using badly translated idioms from their own languages or messing up western idioms. Those wacky, primitive Asians!

At least some people in the West knew exactly what Kim’s speech writers meant when they put this word in. It appears in the Lord of the Rings, and some of us looked it up when we first read it. ‘Folly.?’ said Gandalf. Nay, my lord, when you are a dotard you will die. [speaking to Denethor] When I first saw the quote from Kim I sort of assumed everyone knew the word. Honestly, it is in LOTR, that is not exactly obscure to some people.

So what does this tell us? Is the North Korean propaganda apparatus filled with Tolkien fans? Or is their understanding of modern idioms based on an idiosyncratic selection of foreign texts? I would guess that it is the latter, but the former would be cooler and more optimistic.

Maybe Kim himself is a Tolkien fan. The Kims are notorious movie buffs, and while I assume there was a Korean translation of LOTR even before the movies came out, even if there was no translation before, Kim could have ordered one. I could see how the metaphor of a hermetically sealed kingdom ruled by and overlord opposed by all others could be applied to N. Korea, although maybe Kim does not see himself as Sauron. Or maybe he does. (I wrote that as a joke, but now that I think about it, it may explain things.)

 

On “Buddhist Atrocities”

One of the odd substrains of commentary on the ongoing Rohingya genocide in Myanmar is Americans (mostly, as near as I can tell) shocked that a Buddhist society is capable of the kinds of cruelty we associate with Western imperialism and 20th century totalitarianism.

As I said on twitter:

People saying that Rohingya genocide proves that “Buddhist atrocities” can happen apparently ignored Sri Lankan civil war, Imperial Japan.
The hell of it is, Buddhism is as much a ‘religion of peace’ as Islam,Christianity. Same basic lessons, most adherents perfectly nice people
Like Islam, Christianity (I’m just covering major world religions here), Buddhism intersects with systems of power that implement violence.
Like Islam & Christianity, Buddhist institutions have, historically, validated state violence when it was in their institutional interest.
Buddhism’s reputation in the West benefits greatly from being not associated with any particular 20th century power (unless you’re paying
close attention to states like Myanmar, Sri Lanka, Thailand and their treatment of non-Buddhist populations) and being strongly associated
with countercultural, anti-imperialistic movements (centered in 60s, but not exclusively) including association with Gandhian nonviolence.
(Gandhi was Hindu, not Buddhist, but *ahimsa* is common value among Jain, Buddhist, some Hindu traditions. Plus, sloppy Western orientalism)

I doubt any readers of this blog need me to fill in the historical details.

China-Burma-India and popular history sources

Looking for information on the American involvement in China in World War Two? Not too long ago that would have been the last thing anyone who did serious China work would be looking for, but given the new interest in transnational history, the war period,  some people might be interested all the old ephemera that is popping up all over the web to fascinate historians with its insight into the daily experience of the past while frustrating them with its poor sourcing. One example is CHINA – BURMA – INDIA Remembering the Forgotten Theater of World War II

It includes reprints of a lot of stuff you could get elsewhere, but it is easier to find it here, as well as accounts from vets (all Americans) and lots of pictures.

Some show Chinese wartime propaganda in situ

They have a collection of blood chits, which I found interesting since I never realized how 文言文 the early ones were. Hard to see why you would do that given the intended audience, but the later ones get better. Apparently the American military was working on how to communicate with foreigners.

And of course they have lots of maps. Ever wondered what Chongqing looked like to Americans?

A student could get a really good paper on American images of Asia from all this.

Syllabus blogging for Fall 2017

There is a tradition here of posting our syllabai and asking for advice on how to teach things. Ideally we would do this long enough before the semester starts to get advice on what to assign and do, but I don’t think we ever do that.

My two new-ish classes for Fall are

HIST 106/ASIA 106 Samurai and Gongfu Heroes: Masculinity in East Asia

and HIST 434 Modern China 1800-present

The Samurai and Gongfu class is mostly movies. This may sound like a shameless attempt to drum up enrollment by putting Samurai and Gongfu in the title and also promising to watch movies…and it is of course. On the other hand, it should be a way to draw a lot of students into some of the main narratives of East Asian culture in print and elsewhere and in both their modern popular and older versions. The original course title was Masculinity and Self-Cultivation but I was advised to drop the Self-Cultivation. We will still read some Xunzi, however. As you can see I have tried to split it into thematic units, which may or may not work. (some seem to make sense, some I struggled with.) I am hoping the student presentations at the end are good, since my main hope is to get them to the point where they can watch an Asian film and understand it in some sort of cultural context. We will see how it works.

Modern China is part of my attempt to split up modern China. I know most people like to do Late Imperial and Modern in a single class, but for both China and Japan I think that Ming/Qing and Tokugawa lend themselves to a social/cultural approach and then after 1840 or 1853 it is time to put politics in command. This is also a class where I am starting to rely more on the books that are available on electronically via our library. Once upon a time you had to get them to buy books, and then you were more or less stuck using the whole book. They are still buying a couple books, but now it is easier to use bits and pieces of things they can read for free. We will see how this works. Any comments are welcome.

ASIA 106.f17

Modern China434Sylf17

Would the Boxers vote for Trump?

Of course not. They were not registered, and in any case that would be foreign interference in an election that would Hurt The Feelings Of The American People.

Still, if you want an interesting take on the Boxers and how they fit into Chinese ideas about the body, masculinity and the nation, you can look here, or see the same post here. Here a a sample

The physical culture of the Boxer era in China was, in its vague nationalism and muddled politics, remarkably similar to the physical culture of Germany in the mid-19th century. So why does the latter seem to encapsulate the very core of fascism as physical spectacle, while the former never merits a mention?

More (perhaps) later

 

Yi Soon Shin: Warrior and Defender and Yi Soon Shin: Fallen Avenger: Bad

At Planet Comicon in Kansas City last month, I came across a gentleman selling a comic book series based on the Hideyoshi invasions of Korea, known in Korea as the Imjin War, focused on the escapades of the national hero Admiral Yi Sunshin. Naturally, I was curious, and asked how historically accurate they were: “very,” I was told, though a bit of liberty had been taken with a few characters for the purposes of dramatization. A quick perusal suggested a lot of fighting, but it was a war comic after all, so I got the whole extant set, two volumes of a planned three-volume story1 ; this means that this is a review, of sorts, of a work in progress.

This is a terrible historical comic. It’s possible to do interesting and dramatic historical stories as comic books, and it’s possible to do historically sound stories as comic books, and it’s even possible to do interesting and dramatic and historically sound stories as comic books. This is none of the above. This isn’t even a good comic book, at least not compared to the sorts of things I consider good comic books. The chronology is more or less accurate, as near as I can tell without doing a lot more background work, but that’s damning with faint praise.2

In an interview with the Korea Times, Kompan said

“All we have is historical documents, journals, and fragments of weaponry and clothing. That being said, we don’t have a complete disregard of what actually happened. It is not our intent to be historically inaccurate but our objective is to bring Yi into the spotlight,” Kompan said. “We aim to give everyone around the world a fresh and new take on admiral Yi’s story.”

The team takes liberties to tell the story interestingly, but they also do their best to ensure that dates, battles and major events are historically accurate.

“Another important thing to note is that the integrity of admiral Yi is what drives this story. He is an incorruptible force that must overcome all the odds set against him. That’s not something that you can fictionalize. That’s what happened. That’s who he was. That is reality.”

The creative team has been stable except for the artist: Lead author, and convention seller Onrie Kompan is joined by DAK (David Anthony Kraft) as co-writer and editor, Adriana de los Santos as colorist, and Joel Saavedra as letterer; Giovanni Timpano did the art for the first volume, El Arnakleus did the art for the second, and they are looking for an artist for the third volume. Timpano was from Italy, de los Santos and Saavedra from Argentina, and El Arnakleus is “An artist from the Far East, who came to America to follow his dream.” I’ve never heard of any of these people before, but they claim to have extensive experience in the comic book industry, and they got Stan Lee to write a glowing foreword for the first volume. They also claim to have gotten a lot of help from Korean sources, including the Navy and the “Research Institute of Yi Soon Shin at Soonchungyang University.”3

Searching for that misspelled resource led me to this lovely graduate student historiography of Yi Sun-shin by Lee Seung Ho Historiography of Yi Sun Sin and Artificial Embodiment Within 2010. It’s a pretty damning indictment of the comic books, even if it doesn’t know it. It points out that even Yi’s own journals show his character to be … pretty normal for an elite professional. It points out that the mythologies around Yi are both relatively recent, and fading fast in Korean literature and history. Unfortunately, the heroic attitude towards Yi is one of the least terrible aspects of this book: if that were the worst thing about it, I could at least credit it with providing “a Korean perspective” comparable to the Chinese and Japanese perspectives I’ve read (though both of those were academic presentations that took Koreans and sources reasonably seriously).

What Kompan, et al., have done is considerably worse than usual for historical drama: vulgar, incoherent, lurid, inaccurate, poorly executed, and, ultimately, boring. Women characters exist mostly to show off implausibly proportioned body parts4 , and to give the male characters motivations for conflict or a pallette on which to demonstrate their depravity. The pivotal figure in the story is “Baron Seo,” a treacherous slaver, abuser of women, two-faced spy, and generally disgusting character; loosely (almost libelously) based on the So family of Tsushima. Japanese warriors are predictably tedious, honor-obsessed, vicious, and effective.5 There’s a great deal of sexual deviancy in this comic: samurai homosexuality is portrayed as shameful and abusive; sexual abuse of slaves and captives is routine; pedophilia and pederasty are attributed to particularly evil characters, who get to carry it out with some frequency.6 The violence is accompanied by massive blood-sprays and, of course, the severity of the wound depends entirely on the needs of the plot, which reads like a kind of sado-masochstic soap opera.7 The bombastic warrior-speak is leavened with vulgar colloquialisms, all in English except for ninjas (whose untranslated Japanese appears to be machine-generated) and scattered technical terms: ashigaru and “BANGPOHARA!” (which appears to be the Korean for “Fire!”) are the most frequent unexplained vocabulary. As with the research institute, names are often sloppily rendered for no apparent reason. Some of the art in the second volume appears to be based on posterized photographs or models, which is distracting and unsubtle. And in at least one case, the writer and letterer appear to have had an epic breakdown of communication.

Hideyoshi’s execution of Sen no Rikyu is portrayed as a result of the tea master’s defiant doubt that the invasion would go well, and his prediction haunts the authentically angry, but ahistorically handsome and trim Hideyoshi in his appearances. This gets us into the historical questions raised by this drama, which are mostly of the “sins of omission” sort, and really too numerous to detail. Granted, this is focused on Yi Sun-shin, but that doesn’t justify skipping over five years in the middle of the war as though it were a lost weekend. Nor does it explain what was really going on in the land war, how the Chinese were involved (they are “just as bad as the Japanese” as far as the people are concerned), or even what the real strategies and issues were at sea, including some grossly oversimplified and mythical elements that turn Yi from a tactical and organizational genius into a kind of simplistic trickster. And we won’t even start with the imaginative weapons (samurai with battle axes!), armor, etc, and the fact that these characters spend a lot of time staring at reflective blades and seeing things in them that aren’t there.

As I said, it’s bad history. It postulates Yi as a national hero during the war, one whose popularity threatens the King’s position (who cites the frequency with which generals supplanted monarchs in the Choson dynasty, which I don’t remember being an issue), rather than being merely a good leader to his troops. While it highlights the pain and suffering of the Korean people during the war (well, during the interesting naval bits, anyway), it distills that experience down to sexual degradation (slaughter and other forms of slavery are mentioned, but not depicted, and forage/taxation burdens are implied). The intrigues and conflicts within and between Korea, Japan, and China, are turned into psychosexual dramas rather than politics, and the warfare, which should be the best part, is splashy and simplified and loud. It’s a pretty bad comic book, too, unless you like that particular sort of thing.


  1. technically, only the first volume is available, plus the four issues of the 2nd volume, which has yet to be published as a single volume. Also, since I bought them from the writer, I got them all signed! I do love comicons.  

  2. I’ve read a Chinese-oriented history of the war and a Japanese-oriented history of the war, but I don’t have either of those books at hand. Wikipedia, however, has a much more historically sophisticated take on these battles than this comic book.  

  3. also known as the Yi Sun-shin Research Institute at Soonchunhyang University.  

  4. this is a job requirement for whatever artist applies to work the third volume  

  5. except for the ninja, who don’t succeed in killing anyone, I don’t think. The surprised look in their eyes when they get beheaded was intended to be funny, which tells you a great deal about the level of maturity at work here.  

  6. Normally, I’d shelve this with my other historical manga and comics, in my office, but it’s so obviously inappropriate for a workplace or educational setting that I will have to refrain.  

  7. Cinematically, this would be a Quentin Tarantino History Channel production  

End of an Era

On this date, April 25, in 1644 the Chongzhen Emperor, last ruler of the Ming Dynasty hung himself from a tree on Meishan in Beiijng, bringing an end to Ming (and thus Han) imperial rule over China. Of course, if you are a Ming restorationist the dynasty may still be the proper rulers of China even today. Regardless of your political stance, his story is a good one, and the link above summarizes it pretty well.

April History Carnival! #164!


Happy April! Most April Fools Jokes will fall into the May carnival, of course, but I can’t help noting two:

Speaking of the AHA, Sadie Bergen has a nice look at “Collaborative History Blogs” or, as we used to call them, group blogs. I don’t mind that the defunct HNN group blogs (Cliopatria, Liberty and Power, etc.) aren’t mentioned, or early (if now quieter) special topics blogs (Frog in a Well, Chapati Mystery) aren’t mentioned… actually, I kinda do. NOTCHES, The Junto, S-USIH blog are all excellent projects (as are Active History Canada, Sport in American History, which aren’t mentioned) though they don’t submit stuff to the History Carnival, another phenomenon too old to attract the attention of the AHA bloggers… ok, enough ranting. It’s a decent discussion of the professionalization issue (“recreational” was how one department chair described my blogging), just a wee bit foreshortened. What do we actually have this month?

P1090511Manan Ahmed on Richard Eaton and Phillip Wagoner’s 2014 Memory, Power, Architecture: Contested Sites on India’s Deccan Plateau, 1300-1600: How To See

Brett Holman on The Melbourne balloon riot of 1858

Sharon Howard rounding up her Womens History Month posts and commenting on a few others.

Historian On The Edge with a survey of the immense amount we don’t know about King Arthur as an ahistorical figure

Karl Steel on oddities of Medieval manuscripts, including multicolored crochet repairs

David Bellos, on the publication of his book about the history of Victor Hugo’s Les Miserables

Norman Rockwell, Rosie the Riveter. Crystal Bridges Museum, ArkansasRobert Smith on the purported anniversary of the first flight of K5054 the Supermarine Type 300 Spitfire prototype

Michael Meyer at TNI, on the great 19th century scientist Mary Somerville

Erik Loomis on “This Day In Labor History” looks at a 1959 Mexican railroad strike and the anniverary of Philippine independence

Hels of Melbourne on a failed 1939 attempt to get refugee visas for German and Austrian Jews

Jon Piccini on Human Rights, Women’s Rights and Third Worldism in Mexico City, 1975

VIDA: Blog of the Australian Women’s History Network is another great group blog project, and they had a predictably good Womens History Month!

Walters 2012 - Europe - Weapons - Bulletproof Helmet - grinJessica Cale at Dirty, Sexy History gets the award for the best blog name I hadn’t heard of, and has two posts: The “Poor-Whores Petition” and the Shrove Tuesday Riots on 1668 and Daniel Mendoza and the Modern Art of Boxing

Howard Dorre, The Skinny on John Quincy Adams’s Skinny Dipping Interview and debunking the myth of Anne Royall’s shame.

Speaking of debunking, I got some pushback on my Last Samurai review.

The next History Carnival will be at Yvonne Seale, author of Papal Bull? “The Young Pope” and Teaching the Middle Ages

and Hosts are needed from Jun 2017! Please contact the co-ordinator if interested.

Delayed Reaction, or, I get mail.

In response to my review of The Last Samurai movie, I got the following email yesterday:

Message From: your mom Message: I read your review of "The Last Samurai", you sir are an idiot. You must be a liberal left wing piece of garbage. This was an extraordinary film, but i bet you didnt like "Open Range" or "the Passion of The CHRIST". Liberals are the scourge of the earth. You have a phd in what??< NOTHING. I have three degrees in real science, Geology, Geography, and Physical Science. Science proves the existence of God. I have never read the Bible, but Chemistry, Physics, Mathematics, Biology, etc, PROVE there is a CREATOR. You sir are an idiot, and i hate liberals like you. Good day sirThe text reads:

Message From: your mom
Message: I read your review of “The Last Samurai”, you sir are an idiot. You must be a liberal left wing piece of garbage. This was an extraordinary film, but i bet you didnt like “Open Range” or “the Passion of The CHRIST”. Liberals are the scourge of the earth. You have a phd in what??< NOTHING. I have three degrees in real science, Geology, Geography, and Physical Science. Science proves the existence of God. I have never read the Bible, but Chemistry, Physics, Mathematics, Biology, etc, PROVE there is a CREATOR. You sir are an idiot, and i hate liberals like you. Good day sir

I can’t wait to see how he reacts to my review of 47 Ronin.