井の中の蛙

7/13/2010

Judge Ooka’s Sidekick, part two: The Ghost In the Tokaido Inn and In Darkness, Death

After reading the last two installments in the Hooblers’ samurai detective series, I got hold of the first two. There are still two I have not read, obviously, but based on these four, I can’t seriously recommend the series: the misinformation and errors just outweigh any value that they have as presentations of Edo life or culture.1 The authors’ notes can’t save these books, because even good information is twisted into such blazingly implausible scenarios that no real understanding could survive, and there’s no end to the errors. [Spoilers, of course, because I don't really want anyone to read these books!]
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  1. I still maintain that the last book, A Samurai Never Fears Death is decent, but it’s clearly the exception. []

7/11/2010

Self-Introduction: Kate McDonald

Filed under: — kate @ 11:48 am

Hi everybody. My name is Kate McDonald, and I’m the newest contributor to Frog in a Well. I’m currently a Ph.D. Candidate in Japanese History at the University of California, San Diego. My research focuses on travel and tourism in East Asia in the 1920s and 1930s, specifically Japanese and foreign travel to Taiwan, Korea, and Manchuria. I am also interested in the histories of mobility and technology.

Thanks to Konrad for inviting me to join the group. I look forward to our discussions!

7/3/2010

Judge Ooka’s Sidekick: A Samurai Never Fears Death and The Sword that Cut the Burning Grass by Dorothy & Thomas Hoobler

Filed under: — Jonathan Dresner @ 12:36 am

Wandering through the children’s section of our local public library with my son, I encountered a new-to-me children’s mystery series based in Tokugawa Japan. The books are by Dorothy and Thomas Hobbler, and are piggybacking on the Judge Ooka character. Unlike certain other Japan-based anglophone fictions, these feature a cast of entirely Japanese characters, though the protagonist is still young and enough of a fish-out-of-water to justify significant exposition. The “Authors Note” in the back of each book briefly lays out the historical and cultural foundations of the story, and clearly notes which elements are “completely from the imagination of the authors.” (Sword, 210) Though I noted some anachronisms and some larger issues, on the whole these were surprisingly good in both detail and theme.

The books are the adventures of Seikei, an Osaka-born merchant class boy who is adopted as the son and heir of Judge Ooka in the 1730s. That kind of adoption was relatively rare, but well within contemporary norms, and the unusual nature of class-jumping adoption is fairly well integrated into the stories. The characters are a bit flat and the issues broadly drawn, but that’s not unusual for children’s fiction; more importantly, they are some of the most genuinely and humanely Japanese characters I’ve encountered in my sojourns into this literature. [Spoilers follow, of course]
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