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The Asian Art Museum of San Francisco has been targeted by an anonymous artistic and political intervention that parodies the current Lords of the Samurai exhibition with a well designed website Antabuse For Sale, and a series of pamphlets distributed in San Francisco. Antabuse natural, The website is worth exploring, and becomes particularly interesting when paired with an interview with the anonymous critics on the 8Asians website, purchase Antabuse for sale. Antabuse wiki, Many in the museum world will feel that the parody is entirely unfair. The museum is a non-profit organization dedicated to education, Antabuse long term, Online buying Antabuse, and museum staff include many of Asian heritage as well as many respected scholars who have advanced degrees in Asian art history. In addition, buy Antabuse online cod, My Antabuse experience, some recent exhibitions at the museum have attempted to deal (not always very explicitly) with the history of Orientalism, such as the recent one on photographs of Asia, Antabuse schedule, Antabuse images, particularly South Asia.

One might also respond that at present museum exhibitions are not subject to the same kinds of peer review and scholarly criticism that help improve other forms of educational production, Antabuse For Sale. Other than the occasional newspaper review of a blockbuster exhibition, Antabuse from canadian pharmacy, Effects of Antabuse, and the odd blog post by a volunteer scholar/critic, exhibitions and their catalogs rarely receive the kind of critical attention that they deserve, Antabuse used for. Antabuse without a prescription, I have long argued that museums are probably the most important scholarly site in the world we live in for mass education about other nations and cultures. (TV and films reach more people, Antabuse mg, Purchase Antabuse online, but are usually less grounded in scholarship and have less of a veneer of objectivity and authenticity.) A good specialty academic monograph might sell a few thousand copies. Many copies will go to academic libraries, is Antabuse addictive, Antabuse overnight, where they might be read by multiple generations of students (we hope!). Antabuse For Sale, A big museum exhibition, on the other hand, might draw in 10s or even 100s of thousands of visitors. The AAMSF's 2007 exhibition "Yoshitoshi's Strange Tales, Antabuse coupon, Generic Antabuse, " for example, attracted almost 80, online buy Antabuse without a prescription, Discount Antabuse, 000 visitors, or approximately 931 per day according to The Art Newspaper's "Exhibition Attendance Figures, herbal Antabuse, Antabuse description, " 189 (March 2008) . Bigger Asian art exhibitions, comprar en línea Antabuse, comprar Antabuse baratos, Get Antabuse, such as the Freer Gallery of Art's exhibition "East of Eden: Gardens in Asian Art" brought in well more than 200,000 visitors, Antabuse samples. Antabuse canada, mexico, india, Most museum professionals are entirely aware of the incredible responsibility they have in putting on exhibitions that often substitute for a nation's entire history. Curators know that visitors might feel that having visited a show on the samurai, order Antabuse from United States pharmacy, Antabuse maximum dosage, they have in effect visited Japan itself. This is the wonderful power and also the great danger of the museum; it reduces social and cultural complexity, not to mention historical variation and diversity, to a few beautiful objects, Antabuse For Sale.

Topics like the samurai and the geisha are certainly valid subjects for museum exhibitions, Antabuse photos, Buy no prescription Antabuse online, and in these difficult financial times, must be attractive themes as guarantees of significant visitor traffic, order Antabuse online overnight delivery no prescription. Buy Antabuse online no prescription, But why not call attention to the problematic mythologization of these figures, as the Pacific Asia Museum's 2009 exhibition "The Samurai Re-Imagined: From Ukiyo-e to Anime" did, Antabuse price. Antabuse brand name, Why not, as the parody of AAMSF's exhibition suggests, no prescription Antabuse online, Antabuse class, pay attention to less well known aspects of samurai culture and history, whether that be sexuality, buy Antabuse no prescription, Buy Antabuse from canada, the reality of war, Japanese aggression in Korea, buy Antabuse online cod, or modern wartime appropriations of the samurai image. Or why not, as the interview suggestions, highlight the more nuanced scholarship of Tom Conlon or Hal Bolitho instead of the work of Thomas Cleary. These are valid and important questions, and the controversy illustrates the need for more scholarly and critical attention to the politics of display of Japanese art.

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Buy Xalatan Without Prescription, One of my projects this summer has to do with the use of images in history classes: I'm trying to improve my teaching, and perhaps help others, by scanning pictures (( both from books, which has copyright limitations, and from my own collection of slides and digital pictures, which doesn't (at least for me, which is what matters!) )) and identifying online sources for good images, as well as trying to figure out ways to do more with the images in the classroom. Xalatan pharmacy, There's been some great discussion of powerpoint and images in the classroom at Edge of the American West over the last week, the upshot of which is that images don't really help all that much, order Xalatan online c.o.d, Xalatan wiki, unless you use them well. Not a surprising result, Xalatan samples, Buy Xalatan from mexico, but the fact is that I use images sparingly in the classroom (and have never used powerpoint) because my training -- and natural talents, I think -- is heavily textual, kjøpe Xalatan på nett, köpa Xalatan online. Herbal Xalatan, I love a good map or chart, and I do use art in class both for cultural history and as historical documentation, low dose Xalatan, Order Xalatan no prescription, but not enough. It's not about "appealing to visual learners" as much as it is my belief that visual and physical materials are going to be increasingly important in historical analysis, Xalatan schedule, Xalatan photos, both as sources and as forms of presentation. This isn't cutting edge theory, or at least it shouldn't be, Buy Xalatan Without Prescription.

Anyway, buy Xalatan without prescription, Xalatan mg, that's by way of preface for some of the stuff I hope to be posting here (( and at the other Frog blogs )) over the next few months: images from my collection, and discussions of what they might mean, Xalatan used for, Xalatan without a prescription, historically and pedagogically; other resources for visual materials and commentary on potential uses; links to other discussions of visual analysis; that sort of thing.

So, Xalatan from canada, Order Xalatan from United States pharmacy, here's my first collection of links:

  • The North American Clearing Coordinating Council Japanese Image Use Guide is a great set of definitions and resources, especially for publication purposes, buy cheap Xalatan no rx. Xalatan dose, Their comparative discussion of copyright law is worth a quick look, even before you start thinking about publication.

  • The Asian Art Museum of Tokyo (via pmjs) has a small online collection, online Xalatan without a prescription, Where can i find Xalatan online, but the commentary is solid and you can click through to some very high resolution and complete images, which is very unusual for museum sites.

  • As noted here (( peacay, Xalatan duration, What is Xalatan, who sent me that link, is a one-stop visual resource too, canada, mexico, india. Rx free Xalatan, )) , the Tohoku modern map collection is a pretty rich source, buy generic Xalatan, Xalatan natural, though still spotty in places. There's a bunch of interesting material which isn't yet online, order Xalatan online overnight delivery no prescription, Where can i buy cheapest Xalatan online, and the navigation is kind of finicky.

  • The Gapminder World economic history animations are extremely cool, and fairly adaptable, Xalatan use. Online buy Xalatan without a prescription, It's a bit of a time sink, though, buy Xalatan no prescription, Xalatan brand name, I warn you: it's a toy. I'm tempted to set my world history students loose on it, Xalatan australia, uk, us, usa, Doses Xalatan work, and see what happens.

  • From the PMJS list, courtesy of Helen Moss, Xalatan online cod, Xalatan recreational, a wealth of material on historical hairstyles: Izutsu Costume Museum (which also has great material on clothing), Kushi Matsuri, get Xalatan, Comprar en línea Xalatan, comprar Xalatan baratos, and the ultimate source, the Nihongami Museum.

  • I went looking for him and found Claremont Library Digital Resources Ukiyoe Page

  • The Joseph Berry Keenan Digital collection at Harvard Law School, Xalatan overnight, including photographs: aerial images of Hiroshima and Nagoya, village and temple scenes, and lots of meeting and banquet shots.

  • Finally, a catalog of Educational and Cultural Video sites

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Buy Imitrex Without Prescription, Just received this from friends at the Japanese American National Museum:

The Japanese American National Museum is accepting film & video submissions for their Second annual ID Film Festival, a series of films that challenge and celebrate what it means to be Asian.

To take place from October 1-3, buy Imitrex online no prescription, Where can i find Imitrex online, ID Film Fest will showcase both shorts and features to be screened digitally in the Democracy Forum, a state of the art theater in downtown Los Angeles, Imitrex price. Purchase Imitrex, ID Film Fest welcomes film and video works of all lengths and genres that challenge and celebrate what it means to be Asian and/or Asian American. Please direct all inquiries to

To see the films that we screened at last year’s festival, buy Imitrex without prescription, Imitrex online cod, visit
Please send a one-paged synopsis of the work along with contacts (e-mail, address and phone), Imitrex alternatives, Imitrex interactions, a short biography of the filmmaker and a DVD screener to the:

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The Bowers Museum Nexium For Sale, in southern California opens a new exhibition this Sunday, "Art of the Samurai: Selections from the Tokyo National Museum." In conjunction, the museum is hosting a range of samurai-related events. Nexium without a prescription, Sword fetishists, get ready, low dose Nexium. Purchase Nexium online, All lectures are free to Members and with paid admission unless otherwise noted.

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Using the Incident of the Forty-Seven Ronin and other vendettas as examples, Dr, buy no prescription Nexium online. Nexium recreational, Samuel H. Nexium For Sale, Yamashita, Henry E. Sheffield Professor of History, Nexium price, Order Nexium from United States pharmacy, Pomona College, describes how Tokugawa authorities attempted to control the warriors’ vengeful feelings and how they reacted when such feelings led to impermissible behavior, Nexium mg. Order Nexium online overnight delivery no prescription, Thursday, May 14
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Curious about Japanese sake but not sure where to begin?  Meher McArthur, low dose Nexium, Nexium forum, specialist in the art and culture of East Asia, explores the history of sake (rise wine), online buying Nexium hcl, Buy Nexium online cod, how and where it is made, drinking etiquette, where can i cheapest Nexium online, Nexium coupon, and its importance in Japanese culture.  McArthur will introduce you to eight different kinds of sake.  Learn the difference between regular and premium, unfiltered and unpasteurized, buy Nexium no prescription, Nexium no prescription, as well as the best ways to drink sake – hot or cold.  Space is limited.  Members $18; General $22.  Pre-payment is required.  Space is limited.  Please send reservations to Education Department, Bowers Museum, Nexium wiki, Nexium canada, mexico, india, 2002 North Main Street, Santa Ana, Nexium without a prescription, CA 92706.  For more information, please contact wbrown(at)

Saturday, May 16
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Dr. Bruce Coats, Scripps, discusses the way in which the 17th century Japanese samurai class constructed enormous castle complexes throughout Japan, and filled them with spectacular paintings, fine furniture and ceramics, and extraordinary arms and armor. This lecture will explore some of these domains of the military, with particular emphasis on Kobori Enshu (1579-1647) who built castles, gardens, temples and teahouses for the shogun and provincial governors, Nexium For Sale.

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Dr. Bruce Coats, Scripps College, surveys the development and fabrication of Japanese swords from ancient to modern times. Attention will also be given to sword mountings, body armor, and battle tactics to gain a broader perspective on the lives and deaths of samurai. Japanese swords are among the world's finest weapons

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Renowned Japanese kimono designer and stylist Nobuaki Tomita introduces the history and evolution of samurai clothing worn during the Meiji Restoration in Edo period Japan, along with that of the kimono during the Taisho, Showa, and Heisei eras.  Accompanying this program will be a collection of clothing, modeled and displayed.

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Buy Methotrexate Without Prescription, The Japanese American National Museum once again displays its amazing ability to hone in on topics of widespread interest while still staying true to its mission in its new exhibition, "Giant Robot Biennnale".


From the website:

Developed in collaboration with Eric Nakamura of Giant Robot and the Japanese American National Museum

In celebration of its 50th issue and in collaboration with the Japanese American National Museum, online buy Methotrexate without a prescription, Methotrexate for sale, the pop-culture magazine Giant Robot has assembled works by ten cutting-edge artists from around the country in Giant Robot Biennale: 50 Issues. APAK | Gary Baseman | David Choe | Seonna Hong | Sashie Masakatsu | Saelee Oh | Pryor Praczukowski | Souther Salazar | Eishi Takaoka | Adrian Tomine


The curator of the exhibition and owner/co-editor of Giant Robot is Eric Nakamura, where can i buy cheapest Methotrexate online, Methotrexate canada, mexico, india, a fascinating character who has been pursuing his passions in the pages of this amazing magazine for the past 13 years. Part of what is exciting about his work in the magazine is that his and other authors' articles perfectly measure the pulse of Asian and Asian American pop culture as a living, Methotrexate duration, Is Methotrexate safe, breathing entity rather than as a somewhat stale object of scholarly enquiry. Rather than linking interest in Japanese video games and J-pop stars with the now common stereotype of the urban otaku teenagers locked in their rooms, Methotrexate coupon, Methotrexate over the counter, Giant Robot exposes the likes and dislikes, the artistic and musical travels, online buying Methotrexate hcl, Methotrexate dosage, and the subtle but omni-present cultural politics of diverse individuals who identify with Japan while not being contained by it.

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Japan Focus and the NYTimes Buy Aricept Without Prescription, seem to be in sync at the moment, with a spate of pieces on resurgent nationalism and Japanese war memory. (( If I keep this up, Aricept cost, I'm going to have to start putting "War and Memory" on my c.v.: it seems like all anyone writes about nowadays with regard to Japan. )) Say what you like about the NYTimes, but it gets good people to comment on things sometimes, fast shipping Aricept. MIT's Richard J. Cheap Aricept, Samuels is the featured scholar in this discussion of remilitarization and Hiroshima City University's Yuki Tanaka is the premier talking head in this video documentary about the rearmament debates. (( The video is pretty good, for 20 minutes, but a few things struck me as odd, Buy Aricept Without Prescription. The first segment seems rather cliched, both musically and visually, Aricept coupon. In the second segment a group of Waseda students is discussing rearmament, Aricept natural, and the one who expresses the clearest pro-nuclear position has a distinctly un-Japanese name (I'm guessing resident Korean Japanese, but it's impossible to tell for sure). And Mr, buy Aricept online no prescription. Taniguchi from the Foreign Ministry seems to be expressing a pretty clear and partisan opinion, Aricept dose, more so than I would have expected from a bureaucrat. ))

Far and away my favorite of this crop is Buy Aricept Without Prescription, Katarzyna Cwiertka's "War, Empire and the Making of Japanese National Cuisine": Cwiertka's work on food history is always worth reading, and the field is growing in sophistication and reach. Here she takes up the role of military mess kitchens and rationing, among other things, Aricept gel, ointment, cream, pill, spray, continuous-release, extended-release, and makes an argument which I've made myself a few times: that the military served as a critical training ground in modernity, Aricept forum, an educational institution, and that, as Japanese nationalism turned militaristic, Aricept samples, as a model for life well beyond military affairs. Aricept online cod, She also argues that wartime rationing helped to cement the concept of white rice as the national food, which is an interesting idea: it's consistent with a lot of the other problems we see with "eternal" cultural practices, but there's some pretty strong scholarship in favor of the idea that white rice was considered culturally central well before the 20th century, purchase Aricept online, too. Aricept recreational, (( Hanley's work comes to mind most immediately. Ohnuki-Tierney, too ))

Speaking of "'eternal' cultural practices, order Aricept online overnight delivery no prescription," Japan Focus also has the definitive version of C. Douglas Lummis, "Ruth Benedict's Obituary for Japanese Culture", an article which has been published in various incarnations for a quarter-century, now bolstered with new archival materials and published without the interference of hack editors, Buy Aricept Without Prescription. Comprar en línea Aricept, comprar Aricept baratos, Lummis starts by arguing for the fundamentally political and self-referential nature of much anthropological writing, citing Geertz's comment that The Chrysanthemum and the Sword should be read as Swiftian satire on the US rather than as analysis of Japan. (( Lummis also notes that Japan was the only real country in Gulliver's Travels, buy cheap Aricept no rx, which I hadn't realized )) He goes on to discuss the historiographical position of Benedict's argument

Benedict's judgment on Japan can be seen in her answer to the question: why did Japan fight this war. Aricept without a prescription, Her answer makes no use of economic or political explanations. Japan did not follow the well-known logic of colonial and imperialist powers, seeking markets, Aricept pictures, resources, Japan, craiglist, ebay, overseas, paypal, investment outlets and cheap labor. Buy Aricept Without Prescription, Nor did Japan follow the well-beaten path of tyranny, seeking power, glory, a central place in history. Nor had Japan (in contrast to Germany and Italy) passed over into an extraordinary state of political pathology: nowhere does she use the concepts of fascism, totalitarianism, discount Aricept, or any similar notion. Aricept wiki, To admit the relevance of any of these explanations would be to admit that Japan's behavior was understandable according to ordinary "Western" reason – that it was yet another rather extreme and badly-timed example of plain, old-fashioned imperialism. Benedict was determined to show that Japan's behavior was utterly different from anything known in the "West", Aricept overnight, and understandable to "Westerners" only by means of her "ethnologist's magic", Buy no prescription Aricept online, the anthropological method. The explanation for Japan's conduct of the war could only lie in "a cultural problem": the war was the inevitable expression of Japanese culture itself.

Militarist Japan was for her simply "Japan" - Japan as it had always been, and as it would continue to be unless changed from the outside, Buy Aricept Without Prescription.

That her historical understanding is flawed should be obvious to our readers, Aricept dosage. That her expression of cultural uniqueness spawned a new wave of Japanese nationalism is also not news. Online buying Aricept hcl, What's particularly interesting about Lummis's article -- which goes on from there to discuss Benedict's life and career in some detail, with the usual damning portrayal of mid-century anthropology -- is his portrait of Robert Hashima, Benedict's most important "informant": Hashima was a kibei -- US-born but returned to Japan as a teen to study -- who got back to the US just in time to be interned and work for anthropologist John Embree, Aricept use. Lummis argues that Hashima's lack of depth in Japanese culture -- intense militarism was his only experience of it -- is key to understanding the other flaws of Benedict's work. Buy Aricept Without Prescription, As bad as Benedict's work was, it struck a chord, and its longevity owes a great deal to the people who want the unique, ineffable and militaristic Japan to be a reality again. After Aricept, I think there's no better evidence for this than the Museological debates described in Laura Hein and Akiko Takenaka, "Exhibiting World War II in Japan and the United States since 1995" (and also analyzed in Megan Jones's survey of War Memorial Musems). Though they take some well-earned shots at the Enola Gay exhibit controversy on the US side, Aricept mg, the article is almost entirely about Japanese war and peace museums, Aricept for sale, particularly about the concerted campaigns waged by conservative (in this case meaning pro-militaristic nationalists) groups against exhibits which show anything negative -- i.e. honest -- about Japan's role in WWII. I was particularly struck by the description of "the Peace Memorial Prayer and Exhibit Hall (Heiwa Kinen Tenji Shiryokan), Aricept price, located on the 31st floor of the Sumitomo Building in Shinjuku, Aricept no rx, Tokyo" (emphasis added)
The Shinjuku Peace Hall was established in 2000 to “console three groups of people by educating the general public about the difficulties they faced”: soldiers who are not eligible for pensions since they did not fulfill their service requirements (mostly because they were drafted near the end of the war); Japanese detained in Siberia after the war; and civilian repatriates from Manchuria and other parts of East Asia. The Exhibit Hall is meant to teach visitors about the hardships these groups experienced through its display of artifacts and visual aids, Buy Aricept Without Prescription. While the Fund was established in response to complaints by the three groups, each of whom felt they were not receiving the reparations they deserved, Aricept from canadian pharmacy, it is oriented more toward publicity than monetary reparation. Aricept from mexico, The exhibit has a rather peculiar format, of three sections, each with precisely the same layout, about Aricept, organization, Where can i cheapest Aricept online, and numbers of items displayed; a result of the effort the organizers took to be absolutely fair.

Curator Furudate Yutaka has defined the most important goal of the Exhibit Hall as pleasing all visitors, by which he means all Japanese visitors, order Aricept no prescription. [9] He believes that the displays must not have a narrative or present a particular viewpoint that might offend anyone. His strategy is to drastically limit contextual explanations of the chosen topics—including such questions as why so many Japanese civilians were living in Manchuria in 1945. Purchase Aricept for sale, Furudate believes that if he strips away all interpretive framing of the exhibit, which is likely to provoke controversy, and reduces it to only the materials directly relating to the daily lives of foot-soldiers, taking Aricept, Siberian prisoners, Australia, uk, us, usa, and civilians trapped in China, the enormity of their suffering will convey the anti-war message he hopes to send. While some context is provided in the brief timeline presented at the entrance of the hall, order Aricept online c.o.d, the exhibits themselves focus on artifacts and personal narratives in order to convey the typical experience of each group. The one strong perspective that does emerge—precisely because it is not controversial--is that war causes great suffering.

They cite the shift in modern museology away from strong curatorial views towards a more interactive and dialogic style of exhibit in which museum-goers are seen less as "viewers" and more as "participants" but also note that most Japanese war/peace museums have civil servants rather than professionally trained curatorial staff. And the end up with the observation, hinted at in the quotation above, that museums on both sides of the Pacific are invariably aimed at domestic audiences, and the controversies hinge, really, on the denial of the reality of international perspectives.

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Filed under: — Jonathan Dresner @ 4:24 am Print

I'm not going to go though quite the same song-and-dance I did with Japanese Diaspora or South Asian studies Buy Nexium Without Prescription, because these issues are much more familiar to the readership here. Nexium forum, But I did see two presentations that I wanted to share: Noriko Kawamura's on the new sources and debates about the end of the war and just-graduated college senior Megan Jones' fantastic project about Japan's WWII museum/memorials.

Noriko Kawamura has been working on the end of war question for as long as I've known her (four ASPACs) and is deeply familiar with the available sources, buy Nexium without a prescription. Nexium without a prescription, (( She was the first person I know of who said outright that Bix was pushing his sources too far, distorting their content )) Her overall thesis was a kind of very counter-cultural one: that all the new evidence, Nexium trusted pharmacy reviews, Nexium price, coupon, despite all kinds of attempts to push the debate one way or another, (( She cited Asada's "shock of the bomb" thesis, order Nexium from mexican pharmacy, Buy Nexium no prescription, Bix's personality thesis, Hasegawa's Soviet entry thesis and Bernstein's counterfactual scenarios )) strongly supports Ronald Butow's conclusion from a half century ago, buy Nexium online no prescription, Cheap Nexium no rx, that the Emperor's titular authority became more real as the crisis deepened, culminating in the Seiden [sacred declaration] to accept unconditional surrender as the price of peace, online buy Nexium without a prescription. Nexium street price, (( I read Butow in graduate school, and I haven't really read Asada, where can i find Nexium online, Taking Nexium, Hasegawa or Alperovitz in any detail, so I'm thrilled to discover that I'm actually still up-to-date, Nexium use. )) Her focus this time was on the growing momentum of the "peace faction" within the government: starting with discussions of end of war issues in November 1942 and Spring of '43, the Emperor seems to have understood the need to terminate the conflict with the US, but continued to support the "decisive battle" idea (( the idea that Japan needed to win a decisive tactical victory so as to negotiate from a position of equality, if not strength, Buy Nexium Without Prescription. Nexium dangers, Unfortunately, after 1942, Nexium class, Doses Nexium work, Japan really didn't have any significant tactical victories to speak of )) until after the failure of Japanese forces at the Battle of Okinawa, after which the Emperor convened the Suzuki cabinet and charged it with ending the war, Nexium used for. Nexium coupon, At this point, Kawamura is arguing, Nexium duration, Nexium interactions, the momentum is strongly towards peacemaking with Imperial support. Kawamura didn't address, Nexium no prescription, Ordering Nexium online, at that point, the final days questions: she was more focused on the source issues, is Nexium safe, Canada, mexico, india, particularly the importance of critical readings of a Kido Koichi interview from 1967 and the famous "Dokuhaku" monologue of the Showa Emperor. But she did argue that the peace faction needs to be given more credit for their sustained efforts over several years which laid the foundations for the conclusion to the war, where to buy Nexium.

Buy Nexium Without Prescription, One of the things which I love about ASPAC is the way in which it tries to engage scholars and teachers at all levels. Is Nexium addictive, For graduate students, there's the Esterline prize for best paper (( submissions have been thin the last few years: have graduate students suddenly gotten so successful that they don't need prize money, Nexium maximum dosage, Order Nexium online c.o.d, or publication. )); for K-12 teachers there's often a seminar, Nexium online cod, Nexium overnight, and an open invitation to the panels; there are a fair number of independent scholars and academics at all levels who come as well. One thing you don't see a lot of is undergraduates, Nexium recreational, Nexium alternatives, but this time Jeff Barlow organized a panel of his graduating seniors. The best of the batch (I'm not their teacher, japan, craiglist, ebay, overseas, paypal, Nexium for sale, so I can say what I like about their work) was Megan Jones' "Exhibits of Opinion: How Japan's World War II Museums are used to Further Political Agendas," which was the result of extensive field work in Japan and resulted in a fantastic collection of images (( I did strongly urge her to find some way to make the images available to the wider scholarly community, purchase Nexium for sale. )) She examined the presentation of three issues at a dozen museums, and created a typology of Right and Left presentations, Buy Nexium Without Prescription. Purchase Nexium online no prescription,

Emperor's War ResponsibilityEmp. was controlled by militarists, buy no prescription Nexium online, Fast shipping Nexium, fooled and betrayedEmperor was a war criminal, and symbol of Japanese culpability
San Francisco Peace TreatyDealt with all compensation and guilt issues, Nexium used for. No more apologies necessary.Lack of Asian participation means treaty an incomplete resolution
Liberator or Colonizer in Asia?Japanese did a service, motivated by anti-colonialismJapanese aggressive, imperialist and self-centered

These are pretty familiar positions, obviously: what's interesting is the consistency with which they were present in the museums she studied. Megan classifed the museums as follows:

ConservativeKaiten Tokkotai Memorial Museum (opened 1968)
Chiran Peace Museum for Kamikaze Pilots (opened 1975)
Yamato Museum (opened 2005)
Yashukan (at Yasukuni Shrine; opened 1961, renovated 2002)
Middle ground, with a "right wing tilt"Hiroshima Peace Museum (( I contested this, because my impression in 1995 was that the new historical presentations created in the early '90s were pretty well contextualized and balanced. She felt that it was still largely without context, and that non-Japanese victims were almost entirely absent. ))
Liberal/LeftOkonoshima Toxic Gas Museum (opened 1988, one room exhibit hall)
Osaka Peace Museum (Japan as victim and aggressor)
Kyoto World Peace Museum (opened 1992, Japan as victim and aggressor)
Nagasaki Atomic bomb museum (opened 1996, good context)

On of Ms. Jones' interesting findings was that all these museums -- liberal, conservative, whatever -- claimed as their purpose the fostering of peace in Japan and in the world. Very different visions of peace, of course, but peace nonetheless.


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Grading Finished; Blogging Resumes

She really has no conviction to her writing. It seemed merely argumentative and she was just trying to prove her points through facts. That's alright to me but why write in the first place then if you don't have any real excitement to it? I think that she does not make any real strong opinions, but rather forms opinions based on the excerpts from her source material.

Yes, this is my students' writing. Apparently we need more passion in our scholarship, and less evidence. And the semicolon in the first sentence of the following takes normal empty waffling to a whole new transcendant level:

Society is based on differences and similarities; this is what makes the past history unique. Throughout history many people depict these differences. Some empires may be fighters while others are communicators. Domination, learning, and success are what set these apart from each other and what joins them together. Asian and Roman empires built strong states, and dominant leaders that rose up to defind the country and people. Civilization in the early ages shaped society to what it is today with its culture, trade, and power.

Seriously, though, there's been lots of interesting stuff coming across my desk that I didn't have to grade recently. Just today, PMJS informed me that the folks at Bowdoin, led by Tom Conlan, have made the Heiji Monogatari Emaki available, in the same lovely detail and interactive utility as the Mongol Invasion Scrolls they published last year. Just in time for my Early Japan class next semester!

For those of you who didn't get enough Pearl Harbor stuff earlier in the month, here's some belated Pearl Harbor anniversary blogging:

Also via Eric Muller, an article about the Densho Project, an innovative oral history and archive centered on the WWII evacuation and detention. The glossary and discussion of terminology and euphemism is worth the price of admission (It's free; that's an expression) alone.

On the other end of that war, more debates about atomic bombs, this time featuring Howard Zinn (and Gar Alperovitz) v. D. M. Giangreco. Also, details about the MacArthur-Hirohito meeting.

There may be some historiographical hope in the news, though: Chinese and Japanese historians meeting, and making progress, and the museum at Yasukuni Shrine altering its presentation slightly in the direction of balance and realism. However, as if the Japanese school system didn't have enough problems, now they're responsible for patriotism.


History Carnival #38

"For both nations and inviduals have sometimes made a virtue of neglecting history; and history has taken its revenge on them." -- H. R. Trevor-Roper "The Past and the Present: History and Sociology" (1969), cited in Tosh, ed. Historians on History, p. 197.

Welcome to the September 1, 2006 edition of history carnival. I'm finally hosting a carnival with a number as high as my age! In honor of the quotes meme making the rounds, I'm going to use my personal quotation file as, um, decoration around the rich collection of material in this carnival. As usual, I'm making up categories as I go along: anyone who treats them as strict or comprehensive cataloging gets what they deserve!

The Earliest

"Chronology, so the saying goes, is the last refuge of the feeble-minded and the only resort for historians." -- Joseph J. Ellis

Geological History (and souvenirs): John McKay recounts a visit to an erratic rock and discusses the geology, the glory of seeing natural history in situ, and the tragedy of souvenir hunters.

Jared Diamond gets another look at Salamander Candy.

Jim Davila at PaleoJudaica takes us on a photographic tour of Vindolanda "an early Roman fort near Hadrian's wall which is important for its Latin epigraphic discoveries. Vindolanda is also the setting for Barabara Bell's Minimus books -- Latin primers for children."

Military Lives

"Historical awareness is a kind of resurrection." -- William Least Heat Moon

Grant Jones presents a WWII hero and Tim Abbott presents his grandfather's story as a US Navy Surgeon in the South Pacific at Walking the Berkshires

Sayaka presents a discussion of the historical documentary ari no heitai [ant soldiers], about Japanese revisionism about the war in China, particularly the post-1945 anti-Communist campaign

Only Two Rs relates a discussion between military historians about soldiers past and present.

Miland Brown explains that "Falling into Aztecs hands in war time was a not a good idea...".

Lively Discourses

"And this is a matter of which no historian can afford to be simply a dispassionate chronicler and analyst. However great his intellectual and moral detachment, in the last resort he is committed to the values, and to the society, that enables him to remain so detached. He is a member of the polis and cannot watch its destruction without himself being destroyed." -- Michael Howard The Lessons of History (1989), cited in Tosh, ed. Historians on History, p. 187.

Brett Holman sent me Dan Todman's A step too Farr? was one of many discussions [Ed. Roundup by Brett Holman] of the proposed posthumous pardon for WWI deserters.

Trillwing's excellent post about one woman in science history at The Clutter Museum included a lament for the paucity of female history bloggers. Ralph Luker responded with a remarkable collection of women history bloggers which spurred much discussion. Here goes: I'm disappointed at the paucity of Asian History Bloggers outside of Frog In A Well....

As Ralph Luker says, "Donald Rumsfeld already has nominations for the next Bad History Carnival from Derek Catsam, Kevin Drum, Hiram Hover, and John Prados." I suspect we'll miss Rumsfeld when he's gone. I'd like to find out.

Orac took some time away from his vacation to strike back at an anti-Darwinist argumentum ad nazium posted at Respectful Insolence. Sergey Romanov also got his licks in, as did a few other folks.

An Artistic Interlude

"Literature is mostly about having sex and not much about having children. Life is the other way around." -- David Lodge, British Museum (1965)

Callimachus reveals his boring old postcard collection. His description, not mine; I'm the one who picked it for the carnival!

Another one I'll admit to: John McKay's brief history of Fantasy and Science Fiction.

word into art 4 at Verbal Privilege is a dramatic demonstration of the power of modern art when it uses historical material and themes (see more here). The final piece in that post is stunning; even if (especially if) you have doubts about politically engaged modern art, look at it.

Brett Holman suggests David Tiley's art, life, terror, the fascinating tale of a women whose artistic talent allowed her to survive the Holocaust and then go on to become a Disney animator, but whose art is being held [that's carefully chosen words, there] by the Auschwitz-Birkenau Museum.

Teaching, teaching, teaching

"A bashful person cannot learn, nor can an impatient one teach." -- Hillel

Dave Fagg's iHistory Podcast Project deserves a serious look for anyone interested in new technology teaching tools.

In honor of the new semester, Alan Baumler and I discuss our history syllabi. This is an ongoing series at Frog In A Well, and we'd love to see more folks join in: there's lots of syllabi on the web, but not a lot of discussion of syllabi content and course organization. There should be more.


"I wonder why we hate the past so." -- W.D. Howells to Mark Twain
"It's so damned humiliating." -- Twain's reply

Scott McLemee suggests YouTube as an Oral History archive. Why not: some scholars already use eBay as a source of manuscripts, etc.

Martin Rundkvist raises a more troubling issue: E-mail migration and the loss of data.

Jennie W. of American Presidents Blog shares some of Lucy Hayes’ Civil War Letters and pictures.

Natalie Bennett's Diarist Lady discusses Touching the King's Evil, in great (historical!) detail.

Kevin Levin's discussion of Ken Burns in the classroom was worthwhile.

Alan Baumler shared a fascinating Han-era document we've both used in class.

Language and history

"If the evidence that existed always spoke plainly, truthfully, and clearly to us, not only would historians have no work to do, we would have no opportunity to argue with each other." -- John H. Arnold, History: A Very Short Introduction, p.13.

How should historical fiction writers deal with archaic terminology? Carla explains her common-sense approach

Amanda McCloskey presents an etymology of biliary atresia, drawing on folklore, comparative linguistics, history and medicine.

Speaking of etymologies, Callimachus does a brief examination of fascism and it's modern applications. Popular topic these days: Shertaugh guest-blogs on it at Eric Muller's place.

Violent Death

"If you want the present to be different from the past, study the past." -- Baruch Spinoza

sepoy sent along Martyrification, a brief history of a woman sniper and her memorial.

Nene Adams is doing a series of crime recapitulations, including a fascinating example of blood libel stymied by forensic pathology and a contemporary of Jack the Ripper.

David Noon presents Nat Turner's Uprising saying, "for professional and personal reasons, my blog has been reduced to a daily recounting of horrific anniversaries -- this entry, I think, is one of the better ones in the series.... It also happens to coincide with the day Bernard Lewis stupidly predicted the world would be cast into a lake of fire...." I can't improve on that.

Scholarly Life

"Education is when you read the fine print. Experience is what you get when you don't." -- Pete Seeger

Ralph Luker shared a piece of his own research, a lovely example of how a simple footnote can be an education if you take it seriously and do it right.

Tim Burke offers a dilemma of historical writing from his own work in You Can’t Tell the Players Without a Scorecard (also here), and discusses the dynamics of the end of Apartheid. Finally, in a challenge answered by far too few (I'll get to it after this carnival is up, really!), he asks about the cleavages and battlefields of our respective subfields.

Finally, Brian Ulrich waxes nostalgic for the "cutting edge" scholars of the past

Politics, of course, means bad history

"At a certain point one ceases to defend a certain view of history; one must defend history itself." -- E. P. Thompson

Konrad Lawson examines George Will's Yasukuni essay and finds it historically lacking. I thought the concluding point comparing Yasukuni visits with the Confederate flag issue was good, though. In related news, Yasukuni's got fiscal issues and PR problems, to boot.

Another Damned Medievalist found Creationist Beowulf, apparently a common element in hard-line Christian homeschooling

Sergey Romanov takes on The Ugly Voice denial videos at Holocaust Controversies. When he's not doing that, he's going up against David Horowitz, whose web projects have featured a hard-core Holocaust denier (and don't miss the George Soros debate, either).

Speaking of the Nazis, apparently some people can't tell the difference between an opportunism and conspiracy. Happens all the time.

Thoroughly Unclassifiable

"Children who tell adults everything are trying to make them as wise as they. Just as children who ask questions already know why the sky is blue and where the lost kitten has gone. What they need is confirmation that the odd and frightening magic which has turned adults into giants has not completely addled their brains." -- Richard Bowes, "The Mask of the Rex."

Mum to Laura guestblogs at Autism Street and attacks pseudoscience by using blindness as a metaphor for autism. It's an interesting exercise in counterfactualism as satire.

Joe Kissell presents a geographic absurdity, a group of islands off of Newfoundland which are French territory. As usual, I have another ITOD post which I think is worth reading, particularly for the mystery.

Until Next Time!

"Not only are there no happy endings, there aren't even any endings." -- Neil Gaiman, American Gods (2001: 483)

In sad news for the Carnival (a minor side effect of momentous happy news in real life), Caleb McDaniel, after hosting HC #37 is going out of blogging on a high note, while he embarks on fatherhood and assistant professorhood. There'll always be space for him in the HC!

That concludes this edition. If you think you can do better, volunteer to host an upcoming edition. Or just submit blog articles to the next edition of history carnival, to be hosted at Cliopatria (Update: The High Cliopatriarch Himself, Ralph Luker, will host!), using our carnival submission form. Past posts and future hosts can be found on our index page or our very own homepage.

"History teaches us that men and nations behave wisely once they have exhausted all other alternatives." -- Abba Eban

Many thanks to those who submitted their own posts, those who submitted other folks' work, and those bloggers who I've shamelessly selected on my own authority.

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Monumental Repatriation

Filed under: — Jonathan Dresner @ 5:52 pm Print
A Korean stone memorial commemorating victories over Hideyoshi's armies has been returned [via]
After decades of negotiations, the Bukgwan Victory Monument was driven through the demilitarized zone between the two Koreas on its circuitous journey back home. Because communist North Korea does not have formal relations with Japan, South Korean diplomats secured its return and then turned it over to their estranged neighbor. It marks the first time that Seoul has formally intervened on Pyongyang's behalf to recover a cultural relic, and could set a precedent for the future.
It's good to see a cultural icon returned, but it raises all kinds of interesting and troubling issues. First, of course, is the location of the piece
Although the stone tablet was less valuable than some other artworks, its presence at a shrine that honors the souls of 2.5 million military dead including those convicted of war crimes was particularly rankling to Korean activists. South Korean President Roh Moo-hyun took up the cause during a meeting last year with Japanese President Junichiro Koizumi. "There were a lot of psychological factors with this monument. It was about an embarrassing and humiliating defeat for the Japanese, and I think they wanted it hidden away," said Kang Kyung-hwan, director of the Cultural Heritage Administration's international division. Toshiaki Nambu, the head of Yasukuni Shrine, told the media that his board never contested the return of the monument. "The monument is not ours. We are only keeping it temporarily and planning to return it," Nambu was quoted as saying
Which has to qualify as one of the most bald-faced lies ever uttered, given that Koreans have been trying to arrange repatriation for 27 years. This is not the end, though,
This is only the starting point for a national movement to recover all that they stole from us," said Choi Seo-myeon, the scholar, now 76, who found the pilfered monument at Yasukuni after a lengthy search.Choi and his fellow Korean scholars say the Japanese were as bad as the Nazis in Europe: Imperial forces plundered treasures during an occupation that ended only with Tokyo's surrender to the Allies in 1945. The items range from the exquisite — celadon vases, bronze Buddhas, gold jewelry — to the macabre. Among the latter are as many as 100,000 noses and ears that Japanese samurai sliced off Koreans as trophies during a brutal 7-year war in the late 16th century. The body parts were buried in a mound in Kyoto. When Japan and South Korea normalized diplomatic relations in 1965, the Japanese returned more than 1,300 items. About 1,700 more have come home through private negotiations. Korean collectors have bought back some pieces on the open market, and some Japanese citizens have donated pieces. But Koreans say it is only a fraction of what remains missing.
One of the interesting questions at this point has to be whether there might be distinction, on repatriation, between items taken by governments (and their agents) by force or by seizure laws later deemed illegitimate versus those held in private hands and acquired through purchase, even under adverse economic conditions. If the latter distinction isn't made -- and the legal situation now is considerably less friendly to the export or purchase of culturally significant achaeological finds -- then there will have to be a massive global repatriation out of Western museums. I'm thinking, for example, of the Museum of Fine Art, Boston, which has some astounding collections based in no small part on purchases made in the 19th century, when Japan was at an extreme economic disadvantage to the West. [Crossposted to Frog In A Well: Korea]

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