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	<title>井の中の蛙</title>
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		<title>History Carnival CVI (December 2011-January 2012)</title>
		<link>http://www.froginawell.net/japan/2012/02/history-carnival-cvi/</link>
		<comments>http://www.froginawell.net/japan/2012/02/history-carnival-cvi/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 08:34:50 +0000</pubDate>
		<dc:creator>Jonathan Dresner</dc:creator>
				<category><![CDATA[Academia]]></category>
		<category><![CDATA[Blog Carnival]]></category>
		<category><![CDATA[Conferences]]></category>
		<category><![CDATA[Current/Recent Events]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Historiography]]></category>

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Welcome to the 106th Roundup of History Blogging, a double-sized edition. Fortunately, being a blog, we never really run out of space. First, the two biggest events of the annual calendar happen in January: The American Historical Association Meeting and the Cliopatria Awards. Both, fortunately, have nice, tidy round-up posts I can link to! The [...]]]></description>
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	<span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&amp;rfr_id=info%3Asid%2Focoins.info%3Agenerator&amp;rft.title=History+Carnival+CVI+%28December+2011-January+2012%29&amp;rft.aulast=Dresner&amp;rft.aufirst=Jonathan&amp;rft.subject=Academia&amp;rft.subject=Blog+Carnival&amp;rft.subject=Conferences&amp;rft.subject=Current%2FRecent+Events&amp;rft.subject=Education&amp;rft.subject=Historiography&amp;rft.source=%E4%BA%95%E3%81%AE%E4%B8%AD%E3%81%AE%E8%9B%99&amp;rft.date=2012-02-01&amp;rft.type=blogPost&amp;rft.format=text&amp;rft.identifier=http://www.froginawell.net/japan/2012/02/history-carnival-cvi/&amp;rft.language=English"></span>
<p><a href="http://historycarnival.org/"><img src="http://www.froginawell.net/japan/wp-content/uploads/2008/12/historycarnivallogo.jpg" align=right hspace=5 vspace=5/></a>Welcome to the 106th Roundup of History Blogging, a double-sized edition. Fortunately, being a blog, we never really run out of space.</p>
<p>First, the two biggest events of the annual calendar happen in January: The American Historical Association Meeting and the Cliopatria Awards. Both, fortunately, have nice, tidy round-up posts I can link to! <a href="http://hnn.us/blogs/cliopatria-awards-2011">The Cliopatria awards for 2011</a> included</p>
<ul>
<li>Best Individual Blog: <a href="http://thechirurgeonsapprentice.com/">The Chirurgeon&#8217;s Apprentice</a></li>
<li>Best Group Blog: <a href="http://www.wondersandmarvels.com/">Wonders and Marvels</a></li>
<li>Best New Blog: <a href="http://mhbeals.blogspot.com/">Demography and the Imperial Public Sphere Before Victoria</a></li>
<li>Best Post: Karen Abbott&#8217;s &#8220;If There&#8217;s a Man Among Ye: The Tale of Pirate Queens Anne Bonny and Mary Read,&#8221; <a href="http://blogs.smithsonianmag.com/history/2011/08/if-theres-a-man-among-ye-the-tale-of-pirate-queens-anne-bonny-and-mary-read/">Past Imperfect, 9 August 2011</a></li>
<li>Best Series of Posts: Erik Loomis, <a href="http://www.lawyersgunsmoneyblog.com/author/erik.loomis/">&#8220;This Day in Labor History,&#8221;</a> Lawyers, Guns &#038; Money.</li>
<li>Best Writer: <a href="http://coreyrobin.com/">Corey Robin</a></li>
<li>Best Twitter Feed: <a href="http://twitter.com/#!/katrinagulliver">@KatrinaGulliver</a>. #Twitterstorian Doyenne</li>
<li>Best Podcast Episode: Marshall Poe&#8217;s New Books In History episode from 14 January 2011: &#8220;<a href="http://newbooksinhistory.com/2011/01/14/nell-irvin-painter-the-history-of-white-people-norton-2010/">Nell Irvin Painter, The History of White People, W.W. Norton &#038; Company, 2010.</a>&#8220;</li>
</ul>
<p>There was a <a href="http://blog.historians.org/annual-meeting/1544/what-were-reading-126th-annual-meeting-edition">LOT of blogging and tweeting at this year&#8217;s AHA</a>, much of it centered on the groundbreaking #THATCamp &#8212; the first held in conjunction with a national organizational conference &#8212; which brought a lot of heavyweight and beginning digital history folks together. There were even some interesting historical papers delivered, I&#8217;m told. Check out the collection: it covers just about everything I read on the conference, and then some. Next Year In New Orleans! </p>
<p>A public service announcement: Sharon Howard has updated the Early Modern Commons blog aggregator,  <a href="http://commons.earlymodernweb.org/">http://commons.earlymodernweb.org/</a>, and the general history aggregator, <a href="http://thebroadside.org/">http://thebroadside.org/</a>. If you&#8217;re not getting enough history in your media diet, this is the one-stop shop. OK, two stop shop.</p>
<p>For the remainder of the carnival, I&#8217;m mostly going to be posting titles and what I hope are intriguing quotations: nothing fancy, but there&#8217;s some really neat stuff here.<br />
<span id="more-1302"></span></p>
<h3>Historiography and Method</h3>
<p>Jeremy Bangs: <a href="http://sail1620.org/history/articles/226-always-more-pilgrim-books.html">Always More Pilgrim Books &#8211; What&#8217;s Next? &#8211; A Bibliographical Survey</a></p>
<blockquote><p>This evening I’d like to lead us on a quick browse in the library, curious about <i>when</i> it was that we first thought we knew everything there was to know about the Pilgrims already.</p></blockquote>
<p>The Award-Winning Wonders and Marvels: <a href="http://www.wondersandmarvels.com/2012/01/impotence-in-the-archives.html">Impotence in the Archives: or, a Research Trip Failed</a></p>
<blockquote><p>much of my work in archives is tied to physical memory. Looking back at my notes over the years, I can remember the way in which documents looked or smelled at the time. More importantly, I can remember where to find specific points in my notes.</p></blockquote>
<p>Peter Rowlett: <a href="http://travels.peterrowlett.net/2012/01/apparently-gauss-got-in-this-bar-fight.html">Apparently Gauss got in this bar fight with Hilbert&#8230;</a></p>
<blockquote><p>Principle A tells me nothing should be produced with errors, but Principle B suggests work with minor errors should be taken in good faith. Both cannot hold.</p></blockquote>
<p>Also, Einstein was a straight-A math student.</p>
<p>Jane Stevenson, <a href="http://www.northernrenaissance.org/articles/Texts-and-Textiles-SelfPresentation-among-the-Elite-in-Renaissance-EnglandbrJane-Stevenson/31">Texts and Textiles: Self-Presentation among the Elite in Renaissance England</a> is Not so much a blog post, as a full-fledged, open access journal article. How do we feel about that? I feel pretty damned good: open access journals, like blogs, make it easier to see what historians <i>do</i> and engage their work. Not sure we&#8217;ll make it a regular feature: host&#8217;s option?</p>
<blockquote><p>Textiles and fashion were central to court life, and even, in themselves, a means of communication. They attracted what seems to us a completely disproportionate amount of available resources, infinitely more than the paintings and other more permanent artefacts which are now more familiar to us. </p></blockquote>
<p>Award Winning Demography and the Imperial Public Sphere Before Victoria: <a href="http://mhbeals.blogspot.com/2012/01/scottish-solidarity-and-historiography.html">Scottish Solidarity and the Historiography of the Tobacco Trade</a></p>
<p>Will Thomas at Ether Wave Propaganda has been doing a fascinating series on <a href="http://etherwave.wordpress.com/category/tactile-history/">Tactile History</a>, about recreating experiments and methods to study them directly.</p>
<p><a href="http://petewarden.typepad.com/searchbrowser/2011/12/why-the-sumerians-invented-data.html">What the Sumerians can teach us about data</a>:</p>
<blockquote><p>Gathering data is not a neutral act, it will alter the power balance, usually in favor of the people collecting the information.</p></blockquote>
<h3>Pedagogy And Public History</h3>
<p>Open Plaques blog: <a href="http://blog.openplaques.org/2011/11/finding-flann-obrien-plaques-places-tongues-and-names/">Finding Flann O&#8217;Brien: plaques, places, tongues and names</a></p>
<blockquote><p>Next in our investigation of the plaques we come to the matter of his three names (four if you include the Irish spelling of his first), possibly confusing for the Open Plaques naming system (we currently list two of them). Brian O’Nolan, the civil servant. Flann O’Brien, the pseudonym of the literary author. And Myles na cGopaleen – his pen-name as the famous satirical ‘Cruiskeen Lawn’ columnist for The Irish Times newspaper, a column that brought him more notoriety in his lifetime than his books and made him unpopular with the grandees of the Irish state.</p></blockquote>
<p><a href="https://twitter.com/#!/jmadelman/status/164339029633011712">Joseph Adelman</a>: Behind every good historian is someone who read an awful early draft and patiently explained what he/she was actually saying. </p>
<p>Andrew D. Devenney, <a href="http://www.playthepast.org/?p=2308">&#8220;The Good, the Bad, and the Ugly: Follow-up on Playful Historical Thinking Class Experiment&#8221;</a></p>
<blockquote><p>In the end, I am glad I conducted the experiment and have already adopted small elements of it into a couple of my courses this semester (namely the modular topic format and a greater focus on non-lecture activities in class to stimulate playful historical thinking). However, in its current form, the class needs more polish to buff out the dents, smudges, and scratches.</p></blockquote>
<p>Jonathan Rees, <a href="http://moreorlessbunk.wordpress.com/2012/01/15/why-is-there-no-history-department-at-the-university-of-phoenix/">Why is there no history department at the University of Phoenix?</a></p>
<blockquote><p>History departments die by efficiency because sitting around contemplating the answers to ageless questions doesn’t really do all that much for the gross national product. Therefore, I think we in history and many closely-related fields will disappear in the coming wave of technology-induced efficiency unless we offer a different set of values through which to justify our existence. I happen to be rather fond of joy. Sitting around contemplating the answers to ageless questions may not be efficient, but it is lots of fun.</p></blockquote>
<p>Brandon Watson, <a href="http://branemrys.blogspot.com/2012/01/correction-in-classroom.html">&#8220;Correction in the Classroom&#8221;</a></p>
<blockquote><p>there is a form of critical thinking most students engage in a lot&#8230;.the assessment of whether a professor is worth learning from at all.</p></blockquote>
<h3>Historical Sources</h3>
</p>
<p>In Pursuit of History: <a href="http://inpursuitofhistory.com/2011/12/16/the-complaint-of-christmas-a-serialised-christmas-tale-part-1/">The Complaint of Christmas: A Serialised Christmas Tale</a></p>
<blockquote><p>a story written in 1631 that &#8230; recounts the adventures of Christmas, who visits earth on the 25th December as an old man (a precursor to Father Christmas no doubt) along with his companions, the 12 days of Christmas. His adventures take him around Europe and then to England where he discovers what has become of Christmas charity and hospitality.</p></blockquote>
<p>Mercurius Politicus, <a href="http://mercuriuspoliticus.wordpress.com/2011/12/13/seventeenth-century-crowd-funding/">Seventeenth Century Crowd Funding</a></p>
<blockquote><p>Taylor segmented his subscribers into seven categories:</p>
<p>        1 Those that have paid.<br />
        2 Those that would pay if they could.<br />
        3 Those that walke invisible, and are not to be found.<br />
        4 Those that say they will pay, who knowes when.<br />
        5 Those that are dead.<br />
        6 Those that are fled.<br />
        7 Those Rorers that can pay, and wil not.</p></blockquote>
<p>Ben Breen: <a href="http://resobscura.blogspot.com/2012/01/american-monsters-images-of-brazilian.html">American Monsters: Images of Brazilian Nature from Early Modern Europe</a></p>
<blockquote><p>Although comparisons to the Garden of Eden were frequent, these images also reveal a profound anxiety about the abundance of nature in the Neotropics.</p></blockquote>
<h3>Historical Episodes</h3>
<p><a href="http://www.executedtoday.com/2011/12/05/1831-john-bishop-and-thomas-head-the-london-burkers/">Interview with author Sarah Wise</a> about her book on death and the illicit cadaver trade in early 19th century London</p>
<blockquote><p>But Londoners loved these attractive, exotic-looking little Italian waifs, and would also defend other types of beggars if anyone appeared to be hassling them. Ordinary city-dwellers seemed to me, in reading the primary source material, to be a lot less withdrawn and in their own little world than we city-dwellers are today, and seemed to show more class, or social, solidarity.</p></blockquote>
<p>Streets of Washington: <a href="www.streetsofwashington.com">The Prolific Mrs. E.D.E.N. Southworth and her Georgetown Cottage</a></p>
<blockquote><p>Supposedly it was on his deathbed that Captain Nevitte persuaded a local priest to rechristen little Emma with two additional names so that here initials would spell out E.D.E.N., a melodramatic gesture particularly well-suited to the novelist-to-be.</p></blockquote>
<p><a href="http://www.tripbase.com/blog/photo-essay-the-history-of-air-travel/">Photo Essay: The History of Air Travel</a></p>
<blockquote><p>Modern air travel’s safety and accessibility are greatly indebted to aviation’s long history of experiments, failures, accidents and deaths.</p></blockquote>
<p>Romeo Vitelli: <a href="http://drvitelli.typepad.com/providentia/2012/01/the-benjamin-rush-prescription.html">The Benjamin Rush Prescription (Part 1)</a></p>
<blockquote><p>not only did Lewis and Clark set out on their expedition armed with microscopes, compasses, three mercury thermometers, and other scientific instruments, they also carried more than six hundred mercury laxatives, each four times the size of an aspirin</p></blockquote>
<p>Natalie Bennett: <a href="http://philobiblon.co.uk/?p=3983">Can we choose to descend to a less intensive, simpler level? Have we done it before?</a> is reviewing Joseph A Tainter’s <i>The Collapse of Complex Societies</i> (1988)</p>
<p>Alan Flower, <a href="http://historyandthesockmerchant.blogspot.com/2011/12/napoleons-secret-navy.html">Napoleon&#8217;s Secret Navy</a></p>
<blockquote><p>In October 1805, within days of the disaster at Trafalgar, the French minister of Marine and Colonies, Vice Admiral Denis Decres, started to lay the groundwork for the reconstruction of the French fleet.</p></blockquote>
<h3>Current Events and Echoes</h3>
<p>What would New Years be without some <a href="http://www.froginawell.net/china/2012/01/dragons-in-the-news-is-a-long-a-dragon/">Chinese astrological etymology</a> and <a href="http://www.froginawell.net/china/2012/01/dragons-dragons-everywhere-but-they-dont-shake-the-world/">cultural appropriation</a>? Also, in Asian connections, I had a <a href="http://hnn.us/articles/what%E2%80%99s-japanese-%E2%80%9Clocavore%E2%80%9D-oh-never-mind">short piece on Japanese food policy history</a> in light of the Fukushima disaster.</p>
<p>A remarkable story of <a href="http://www.wired.com/magazine/2012/01/ff_ux/all/1<br />
">renegade historical preservationists</a>: </p>
<blockquote><p>UX’s most sensational caper (to be revealed so far, at least) was completed in 2006. A cadre spent months infiltrating the Pantheon, the grand structure in Paris that houses the remains of France’s most cherished citizens. Eight restorers built their own secret workshop in a storeroom, which they wired for electricity and Internet access and outfitted with armchairs, tools, a fridge, and a hot plate. During the course of a year, they painstakingly restored the Pantheon’s 19th- century clock, which had not chimed since the 1960s. Those in the neighborhood must have been shocked to hear the clock sound for the first time in decades: the hour, the half hour, the quarter hour.</p></blockquote>
<p><a href="http://theaporetic.com/?p=2905">The Lincoln-Douglas-Gingrich Debates</a></p>
<blockquote><p>It’s already slightly creepy to challenge the first African American president to a debate modeled on debates over the legitimacy of slavery. It’s doubly disturbing if you look at the actual content and context of the original debates, which was circus like and full of racist demagoguery.</p></blockquote>
<p><a href="http://info.umkc.edu/womenc/2012/01/25/ohio-woman-wants-whites-only-pool-sign-reinstated/">Ohio Woman Wants Whites Only Pool Sign Reinstated</a></p>
<blockquote><p>A woman in Ohio continues to claim that having a ‘Whites Only’ sign hung at the public pool is not racist.  &#8230; changing her argument to assert that the sign is an antique and therefore apart of her heritage.</p></blockquote>
<p>That&#8217;s Not History: <a href="http://thatsnothistory.blogspot.com/2012/01/historical-equality.html">Equality and Fairness in Persia v. American Exceptionalism</a></p>
<blockquote><p>So, freedom of religion and culture, civil liberties, property rights, freedom of movement, and the abolition of slavery. Not too shabby on the equality front. But wait! There&#8217;s more!</p></blockquote>
<p>USIH on Charles Murray, inter alia: <a href="http://us-intellectual-history.blogspot.com/2011/12/post-civil-rights-intellectual-ferment.html">Post Civil Rights Intellectual Ferment and Race</a></p>
<blockquote><p>Racial politics were persistently perplexing, despite the successes of the civil rights movement, largely because, as President Lyndon Johnson proclaimed in a Howard University speech on June 4, 1965, “equality as a right and a theory” was not the same thing as “equality as a fact and as a result.”</p></blockquote>
<h3>Moving Forward</h3>
<p><a href="http://historycarnival.org/">The History Carnival</a> is in good shape for <a href="http://historycarnival.org/category/future-hosts/">upcoming hosts</a> through June, but always looking for volunteers for later. Next month&#8217;s edition will be hosted at <a href="http://thevieweast.wordpress.com/">The View East</a> by blogger and Twitterstorian Kelly Hignett.  I hope this lives up to the &#8220;bumper edition&#8221; billing! </p>
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		<title>SHAFR Roundtable on Pearl Harbor (Plus HNN Bonus Article)</title>
		<link>http://www.froginawell.net/japan/2011/12/shafr-roundtable-on-pearl-harbor-plus-hnn-bonus-article/</link>
		<comments>http://www.froginawell.net/japan/2011/12/shafr-roundtable-on-pearl-harbor-plus-hnn-bonus-article/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 03:44:58 +0000</pubDate>
		<dc:creator>Jonathan Dresner</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Foreign Views]]></category>
		<category><![CDATA[Historiography]]></category>
		<category><![CDATA[Memory]]></category>
		<category><![CDATA[US-Japan]]></category>
		<category><![CDATA[War]]></category>
		<category><![CDATA[昭和]]></category>

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In honor of the 70th anniversary of the Japanese attack on the US at Pearl Harbor, the Society for the History of American Foreign Relations has published a series of essays on the event and historical memory issues; HNN has reprinted it (with a useful index post). John Gripentrog&#8217;s &#8220;The Road to War&#8221; is a [...]]]></description>
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<p>In honor of the 70th anniversary of the Japanese attack on the US at Pearl Harbor, the <a href="http://www.shafr.org/2011/12/03/pearl-harbor-seventy-years-later/">Society for the History of American Foreign Relations has published a series of essays</a> on the event and historical memory issues; <a href="http://hnn.us/articles/pearl-harbor-seventy-years-later">HNN has reprinted it (with a useful index post)</a>. <a href="http://hnn.us/articles/road-war-between-us-and-japan-was-paved-irreconcilable-worldviews">John Gripentrog&#8217;s &#8220;The Road to War&#8221;</a> is a solid discussion of the political and ideological differences which put the US and Japan on a collision course. HNN&#8217;s supplemental piece, by <a href="http://hnn.us/articles/day-infamy%E2%80%94how-japan%E2%80%99s-hollow-victory-spelt-end-hitler">Rupert Colley, tracks how the attack brought the US into the European conflict</a>. And Emily Rosenberg discusses how <a href="http://hnn.us/articles/remember-911-forget-pearl-harbor">iconic attacks like Pearl Harbor and 9/11</a> and their rhetorical and cultural resonances.</p>
<p>Those are fine, but the articles I find most interesting are the other two. <a href="http://hnn.us/articles/another-sort-pearl-harbor-infamy-japanese-americans">Greg Robinson writes about the effect of the Pearl Harbor attack on Japanese Americans</a> at that time and the way in which it becomes part of the rhetoric of race and bias in the decades to come.<sup><a href="http://www.froginawell.net/japan/2011/12/shafr-roundtable-on-pearl-harbor-plus-hnn-bonus-article/#footnote_0_1290" id="identifier_0_1290" class="footnote-link footnote-identifier-link" title=" The twitter chatter as the disaster this spring unfolded frequently, shockingly, referenced Pearl Harbor with a vicious karmic glee ">1</a></sup> Finally, <a href="http://hnn.us/articles/remembering-pearl-harbor-japanese-and-american-teachers">Yujin Yaguchi describes an intercultural teachers&#8217; seminar</a> which brought together Japanese and American teachers with time to explore their biases, perspectives, and to encounter new ones. The historiographical issues aren&#8217;t terribly new to academic historians, but for teachers working in a national curriculum context, it was quite enlightening. </p>
<p><b>Update</b>: <a href="http://www.usni.org/magazines/navalhistory/2011-12/pearl-harbors-overlooked-answer">This article by Jonathan Parshall and J. Michael Wenger</a> is the first interesting new scholarship I&#8217;ve seen on Pearl Harbor in years. Mostly it&#8217;s about the development of the Japanese aircraft carrier <i>group</i> as an operational unit, an unforseen shift in naval tactics.</p>
<ol class="footnotes"><li id="footnote_0_1290" class="footnote"> The twitter chatter as the disaster this spring unfolded frequently, shockingly, referenced Pearl Harbor with a vicious karmic glee </li></ol>]]></content:encoded>
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		<title>Seppuku: A Samurai Suicide Miscellany</title>
		<link>http://www.froginawell.net/japan/2011/11/seppuku-a-samurai-suicide-miscellany/</link>
		<comments>http://www.froginawell.net/japan/2011/11/seppuku-a-samurai-suicide-miscellany/#comments</comments>
		<pubDate>Sun, 27 Nov 2011 19:20:14 +0000</pubDate>
		<dc:creator>Jonathan Dresner</dc:creator>
				<category><![CDATA[Academia]]></category>
		<category><![CDATA[Anecdotes]]></category>
		<category><![CDATA[Books and Articles]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[martial arts]]></category>
		<category><![CDATA[Medieval]]></category>
		<category><![CDATA[War]]></category>
		<category><![CDATA[明治]]></category>
		<category><![CDATA[江戸]]></category>

		<guid isPermaLink="false">http://www.froginawell.net/japan/?p=1279</guid>
		<description><![CDATA[	
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For a little entertainment this Thanksgiving, I read Andrew Rankin&#8217;s Seppuku: A History of Samurai Suicide (Kodansha, 2011).1 Since I&#8217;m teaching both Samurai and Early Japan this semester, seemed like a good supplemental read, and this is the first thing resembling a lull I&#8217;ve had all semester. This is an attractive little book, substantially researched, [...]]]></description>
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	<span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&amp;rfr_id=info%3Asid%2Focoins.info%3Agenerator&amp;rft.title=Seppuku%3A+A+Samurai+Suicide+Miscellany&amp;rft.aulast=Dresner&amp;rft.aufirst=Jonathan&amp;rft.subject=Academia&amp;rft.subject=Anecdotes&amp;rft.subject=Books+and+Articles&amp;rft.subject=English&amp;rft.subject=martial+arts&amp;rft.subject=Medieval&amp;rft.subject=War&amp;rft.subject=%E6%98%8E%E6%B2%BB&amp;rft.subject=%E6%B1%9F%E6%88%B8&amp;rft.source=%E4%BA%95%E3%81%AE%E4%B8%AD%E3%81%AE%E8%9B%99&amp;rft.date=2011-11-27&amp;rft.type=blogPost&amp;rft.format=text&amp;rft.identifier=http://www.froginawell.net/japan/2011/11/seppuku-a-samurai-suicide-miscellany/&amp;rft.language=English"></span>
<p>For a little entertainment this Thanksgiving, I read Andrew Rankin&#8217;s <i>Seppuku: A History of Samurai Suicide</i> (Kodansha, 2011).<sup><a href="http://www.froginawell.net/japan/2011/11/seppuku-a-samurai-suicide-miscellany/#footnote_0_1279" id="identifier_0_1279" class="footnote-link footnote-identifier-link" title=" It helps to have friends who are journal editors: my colleague at Midwest Quarterly passed it on to see if it was worth a review, shortly before the journal gave up reviewing. ">1</a></sup> Since I&#8217;m teaching both Samurai and Early Japan this semester, seemed like a good supplemental read, and this is the first thing resembling a lull I&#8217;ve had all semester. This is an attractive little book, substantially researched, but not much of a history. It&#8217;s more like a miscellany, a collection of materials in search of a thesis.<br />
<span id="more-1279"></span><br />
<a href="http://www.flickr.com/photos/jondresner/4902810952/"><img src="http://farm5.staticflickr.com/4123/4902810952_1e2c0193e2_m.jpg" width="123" height="240" alt="Japan - 17c late Full suit Armor" align=right hspace=5 vspace=5/></a><a href="http://www.ames.cam.ac.uk/deas/graduates/andrew-rankin.html">Andrew Rankin</a> is a graduate student in literature, specializing in Mishima Yukio: no wonder then, that he has collected materials on extremes of samurai culture, though Mishima is conspicuous by his almost-total absence from this work.<sup><a href="http://www.froginawell.net/japan/2011/11/seppuku-a-samurai-suicide-miscellany/#footnote_1_1279" id="identifier_1_1279" class="footnote-link footnote-identifier-link" title=" Three references, mostly directed at the presentation of suicide in his writing, and one brief mention of the Mishima&amp;#8217;s own &amp;#8220;anachronistic seppuku suicide.&amp;#8221; (18) The Satsuma uprising is also missing, except for its role in General Nogi&amp;#8217;s own anachronistic death. ">2</a></sup> Mishima is the subtext, though, as the entire work is dominated by discourses of aesthetics and authenticity, without the complications of  anthropological or historical theory, economics or historical context. Thus you get sentences like: &#8220;Their chief aspiration, in its psychological essence, was to realize the perennial samurai fantasy of inviolable rectitude and fearless self-sacrifice culminating in sanguinary apotheosis.&#8221; (197) While Rankin acknowledges changes in practice over time, the view of samurai culture is anachronistic and stands little close scrutiny. Too bad, because even within the realm of performative aesthetics, there&#8217;s a fascinating set of problems on display here that deserve serious thought.</p>
<p><a href="http://www.flickr.com/photos/jondresner/3069536141/" title="Japanese Dolls Warrior 2 by jondresner, on Flickr"><img src="http://farm4.staticflickr.com/3187/3069536141_0fb9334c93_m.jpg" width="180" height="240" alt="Japanese Dolls Warrior 2" align=left hspace=5 vspace=5/></a>While academics are often accused of <a href="http://nataliacecire.blogspot.com/2011/11/on-bibliography-dumping.html">bibliography-dumping</a> on our younger colleagues, that Kodansha would publish a footnoted, bibliography-laden book on samurai culture without references to Eiko Ikegami, Thomas Conlan or Paul Varley &#8212; to pick the first three that I looked for and didn&#8217;t find &#8212; seems a bit haphazard. This book could be an interesting counterpoint to Ikegami, in particular, because of her focus on the tensions between control and individual self-expression around the warrior class, but without any engagement or thesis statement, this work remains frustratingly aloof. </p>
<p>What this book does reasonably well is present nearly-raw materials on the stomach-cutting suicide practice, how it evolved from an exceptional display to a tradition, then to a routinized procedure and finally to a romantic gesture in the Bakumatsu-Meiji era, where it stops. This process is as close as the book comes to a thesis, though &#8220;point of view&#8221; might be closer. There are two substantive chapters chronicling this evolution. separated by one on the procedure of the mature seppuku ritual of the Tokugawa era. All of these chapters are more episodic than coherently narrative, focusing on individual events selected, as near as I can tell, for cultural impact or typicality: Well over half the book is short prose portraits of seppuku events and their ilk. There&#8217;s a great deal of interesting stuff here, details and terminology that will liven up lectures and spur the imaginations of historical novelists. There&#8217;s also a sort of epilogue, called &#8220;Paradigms&#8221; which is a collection of primary source quotations&#8230; well, it starts as primary source quotations, chronological, then Westerners and 20th century Japanese views start to slip in, material which was never addressed in the rest of the work. My favorite bit from that section is the &#8220;Death poem of Kanzawa Toko (1795)&#8221;</p>
<blockquote><p>Death poems<br />
are a delusion.<br />
You just die.</p></blockquote>
<p>It feels incomplete. Not just because I&#8217;m a scholar and I want analysis and counterarguments. But because the book doesn&#8217;t even hold together to the standards of a popular history. Despite the example above, the prose is mostly fine, though the endless progression of stomach-cutting does get to be a bit much: there aren&#8217;t enough synonyms, though Rankin doesn&#8217;t resort to euphemisms, which is good. While there&#8217;s great value in a detailed examination of a powerful social and cultural phenomenon like this, there should be some conclusion, some cohesion, which is just lacking. </p>
<ol class="footnotes"><li id="footnote_0_1279" class="footnote"> It helps to have friends who are journal editors: my colleague at <a href="http://www.pittstate.edu/department/english/midwest-quarterly/"><i>Midwest Quarterly</i></a> passed it on to see if it was worth a review, shortly before the journal gave up reviewing. </li><li id="footnote_1_1279" class="footnote"> Three references, mostly directed at the presentation of suicide in his writing, and one brief mention of the Mishima&#8217;s own &#8220;anachronistic seppuku suicide.&#8221; (18) The Satsuma uprising is also missing, except for its role in General Nogi&#8217;s own anachronistic death. </li></ol>]]></content:encoded>
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		<title>The Three Stages of Ninja</title>
		<link>http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/</link>
		<comments>http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 03:49:41 +0000</pubDate>
		<dc:creator>Jonathan Dresner</dc:creator>
				<category><![CDATA[Cultural]]></category>
		<category><![CDATA[Foreign Views]]></category>
		<category><![CDATA[Historiography]]></category>
		<category><![CDATA[martial arts]]></category>
		<category><![CDATA[Medieval]]></category>
		<category><![CDATA[江戸]]></category>

		<guid isPermaLink="false">http://www.froginawell.net/japan/?p=1260</guid>
		<description><![CDATA[	
	<span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&amp;rfr_id=info%3Asid%2Focoins.info%3Agenerator&amp;rft.title=The+Three+Stages+of+Ninja&amp;rft.aulast=Dresner&amp;rft.aufirst=Jonathan&amp;rft.subject=Cultural&amp;rft.subject=Foreign+Views&amp;rft.subject=Historiography&amp;rft.subject=martial+arts&amp;rft.subject=Medieval&amp;rft.subject=%E6%B1%9F%E6%88%B8&amp;rft.source=%E4%BA%95%E3%81%AE%E4%B8%AD%E3%81%AE%E8%9B%99&amp;rft.date=2011-09-13&amp;rft.type=blogPost&amp;rft.format=text&amp;rft.identifier=http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/&amp;rft.language=English"></span>
The ninja question came up last week in my Samurai class &#8212; we were talking about possible writing projects &#8212; so I had to do my ninja spiel, which has become a bit of a set piece. The history of ninja in three stages: Sneaky samurai, literary device, and school. The first stage covers the [...]]]></description>
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	<span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&amp;rfr_id=info%3Asid%2Focoins.info%3Agenerator&amp;rft.title=The+Three+Stages+of+Ninja&amp;rft.aulast=Dresner&amp;rft.aufirst=Jonathan&amp;rft.subject=Cultural&amp;rft.subject=Foreign+Views&amp;rft.subject=Historiography&amp;rft.subject=martial+arts&amp;rft.subject=Medieval&amp;rft.subject=%E6%B1%9F%E6%88%B8&amp;rft.source=%E4%BA%95%E3%81%AE%E4%B8%AD%E3%81%AE%E8%9B%99&amp;rft.date=2011-09-13&amp;rft.type=blogPost&amp;rft.format=text&amp;rft.identifier=http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/&amp;rft.language=English"></span>
<p>The ninja question came up last week in my <a href="http://dresnerjapan.edublogs.org/syllabi/syllabus-samurai-2011-fall/">Samurai</a> class &#8212; we were talking about possible writing projects &#8212; so I had to do my ninja spiel, which has become a bit of a set piece. The history of ninja in three stages: Sneaky samurai, literary device, and school.<br />
<span id="more-1260"></span><br />
The first stage covers the history up through the Warring States, possibly including the early Tokugawa, and it&#8217;s the age when, as <a href="http://www.froginawell.net/japan/2005/12/another-nail-in-the-ninja-coffin/">Karl Friday put it</a>, &#8220;“ninja” denotes a function, not a special kind of warrior–ninja WERE samurai &#8230; performing “ninja” work.&#8221; <a href="http://www.froginawell.net/japan/2005/07/summer-reading-note-ninja/">Turnbull describes this period in some detail</a>, and it&#8217;s fairly clear from his collected episodes that there may have been some warriors who were especially sneaky, but not a continual tradition. There are a <a href="http://ninpo.org/ninpohistory/ninpohistory.html">variety of figures</a> that are credited as &#8220;the first ninja&#8221;: I&#8217;m partial to the yamabushi theory, just because it does highlight the warrior-priest tradition, and because it attributes to the ninja magical powers and ethical principles which are clearly absurd. Ignoring, though, the origins snipe-hunt, there clearly was a place for stealth, surprise and spycraft in the free-for-all conflicts of Japan&#8217;s warrior ages, when samurai honor was based more on &#8220;victory or death&#8221; than battlefield procedure.<sup><a href="http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/#footnote_0_1260" id="identifier_0_1260" class="footnote-link footnote-identifier-link" title=" see Conlan, State of War, which we&amp;#8217;ll be reading in a few weeks. ">1</a></sup> So some warriors did that. <a href="http://www.flickr.com/photos/jondresner/5788699475/"><img src="http://farm3.static.flickr.com/2004/5788699475_b30b03b6e0.jpg" width="363" height="500" align=right hspace=5 alt="Lego Ninja 2011 A"/></a> </p>
<p>As the Hideyoshi-Tokugawa peace takes hold, and Samurai become a more cohesive class with an interest in Confucian ethics, a more rule-oriented value system,<sup><a href="http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/#footnote_1_1260" id="identifier_1_1260" class="footnote-link footnote-identifier-link" title=" see Ikegami, The Taming of the Samurai, which we&amp;#8217;re reading now ">2</a></sup> they become ashamed of the sneaky successes of their predecessors, and also start to become more specialized and formalized with regard to combat styles. Most schools of martial arts have both public and secret teachings, so the idea of a separate class of stealth specialists with secret traditions is entirely consistent with the Tokugawa-era samurai tradition. This is where the second stage begins: the cultural ninja. </p>
<p>Ninja were a lively part of the Tokugawa entertainment industrial complex: plays, fun houses, books, and visual art all explored the idea of the secret warrior, turning him in to a mighty, nearly mystical, foe, a haunting presence which could only be beaten through preparedness and righteousness by the mightiest samurai.<sup><a href="http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/#footnote_2_1260" id="identifier_2_1260" class="footnote-link footnote-identifier-link" title=" Friday and Turnbull both address this ">3</a></sup> Ninja become Robin Hood/Jesse James type outlaws, a friend to the common man &#8212; sometimes said to be of peasant origin themselves &#8212; and  a blight on the establishment. By being a kind of anti-hero, occupying a rhetorical tactical space that the samurai could not, the ninja helped to legitimate the samurai as ethical warriors, as well as providing a kind of outlet for anti-samurai frustration and fantasy. This version of the ninja enters the western literary tradition through, among others, Ian Fleming&#8217;s James Bond novels.<sup><a href="http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/#footnote_3_1260" id="identifier_3_1260" class="footnote-link footnote-identifier-link" title=" There&amp;#8217;s a whole history yet to be written on the relationship between US military presences in East Asia, kung fu movies and the rise of Japanese martial arts in the US. But nobody&amp;#8217;s written it yet. ">4</a></sup> This stage is still very much in existence, of course, as the literary/cinematic tradition persists, even adding new themes like <a href="http://www.froginawell.net/japan/2011/06/ninjas-at-night-dragons-at-dawn-magic-tree-house-does-japanese-history/">environmental consciousness</a>.</p>
<p><a href="http://www.flickr.com/photos/jondresner/4902810952/" ><img src="http://farm5.static.flickr.com/4123/4902810952_1e2c0193e2_m.jpg" width="123" height="240" align=left hspace=5 alt="Japan - 17c late Full suit Armor"/></a>The third stage overlaps the second &#8212; a common problem for historians attempting stage theories; perhaps &#8216;state&#8217; or &#8216;thread&#8217; would be a better unit &#8212; from the early modern to the modern. At some point in the Tokugawa or Meiji eras, depending on the form and who you believe, <a href="http://www.froginawell.net/japan/2005/05/karate-and-modernity-a-call-for-comments/">styles of martial arts became formalized</a> more or less at the same time that they become largely irrelevant. As noted above, most have some form of &#8220;secret teaching&#8221; for advanced adepts, and a &#8220;hidden history&#8221; as well tracing back to a noteworthy ancestor-teacher, and most of them also have well-established rivalries with related schools. In that regard, Ninja as a modern &#8220;warrior way&#8221; isn&#8217;t distinguishable from other Japanese or Chinese martial practices. In the modern age, when combat techniques are as much a matter of market forces and fashions as military necessities, the secret traditions have largely become routinized; the mythology of the ninja requires an overlay of mystery, which is maintained both by the continuing use of ninja legends as entertainment<sup><a href="http://www.froginawell.net/japan/2011/09/the-three-stages-of-ninja/#footnote_4_1260" id="identifier_4_1260" class="footnote-link footnote-identifier-link" title=" From children&amp;#8217;s literature to Mito Komon&amp;#8230;. ">5</a></sup> and a passionate defense of the narrative of ninja as a secret, continuing tradition which has emerged into the light with modernity. </p>
<p>These three phases of the ninja tradition help separate out the fact from the fiction, clarify how and why ninja might be a substantial historical topic, and why the entertainment tradition has strayed so far from anything resembling reality. </p>
<ol class="footnotes"><li id="footnote_0_1260" class="footnote"> see Conlan, <i>State of War</i>, which we&#8217;ll be reading in a few weeks. </li><li id="footnote_1_1260" class="footnote"> see Ikegami, <i>The Taming of the Samurai</i>, which we&#8217;re reading now </li><li id="footnote_2_1260" class="footnote"> <a href="http://www.froginawell.net/japan/2005/12/another-nail-in-the-ninja-coffin/">Friday</a> and <a href="http://www.froginawell.net/japan/2005/07/summer-reading-note-ninja/">Turnbull</a> both address this </li><li id="footnote_3_1260" class="footnote"> There&#8217;s a whole history yet to be written on the relationship between US military presences in East Asia, kung fu movies and the rise of Japanese martial arts in the US. But nobody&#8217;s written it yet. </li><li id="footnote_4_1260" class="footnote"> From children&#8217;s literature to Mito Komon&#8230;. </li></ol>]]></content:encoded>
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		<title>Twitterstorian Anniversary</title>
		<link>http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/</link>
		<comments>http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#comments</comments>
		<pubDate>Mon, 05 Sep 2011 21:56:25 +0000</pubDate>
		<dc:creator>Jonathan Dresner</dc:creator>
				<category><![CDATA[Academia]]></category>
		<category><![CDATA[Blog Carnival]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Web Sites]]></category>

		<guid isPermaLink="false">http://www.froginawell.net/japan/?p=1251</guid>
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	<span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&amp;rfr_id=info%3Asid%2Focoins.info%3Agenerator&amp;rft.title=Twitterstorian+Anniversary&amp;rft.aulast=Dresner&amp;rft.aufirst=Jonathan&amp;rft.subject=Academia&amp;rft.subject=Blog+Carnival&amp;rft.subject=General&amp;rft.subject=Web+Sites&amp;rft.source=%E4%BA%95%E3%81%AE%E4%B8%AD%E3%81%AE%E8%9B%99&amp;rft.date=2011-09-05&amp;rft.type=blogPost&amp;rft.format=text&amp;rft.identifier=http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/&amp;rft.language=English"></span>
As an historian, I consider anniversaries irrelevant. However, as a social function, naturally, they matter a great deal, and the internet itself moves so quickly at times that it&#8217;s worth looking back regularly to maintain perspective. Twitter itself, for example, is less than five years old, and I&#8217;ve been using it for about two years. [...]]]></description>
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	<span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&amp;rfr_id=info%3Asid%2Focoins.info%3Agenerator&amp;rft.title=Twitterstorian+Anniversary&amp;rft.aulast=Dresner&amp;rft.aufirst=Jonathan&amp;rft.subject=Academia&amp;rft.subject=Blog+Carnival&amp;rft.subject=General&amp;rft.subject=Web+Sites&amp;rft.source=%E4%BA%95%E3%81%AE%E4%B8%AD%E3%81%AE%E8%9B%99&amp;rft.date=2011-09-05&amp;rft.type=blogPost&amp;rft.format=text&amp;rft.identifier=http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/&amp;rft.language=English"></span>
<p><a href="http://www.flickr.com/photos/jondresner/5935523389/"><img src="http://farm7.static.flickr.com/6131/5935523389_6a5200a80c_m.jpg" width="240" height="135" align="right" hspace=5 alt="Telephones - late 1800s-1930s"/></a>As an historian, I consider anniversaries irrelevant. However, as a social function, naturally, they matter a great deal, and the internet itself moves so quickly at times that it&#8217;s worth looking back regularly to maintain perspective. Twitter itself, for example, is <a href="http://en.wikipedia.org/wiki/Twitter">less than five years old</a>, and <a href="http://twitter.com/jondresner">I&#8217;ve been using it</a> for about two years. About <strike>a year</strike> <a href="http://katrinagulliver.posterous.com/twitterstorians"><strong>two years</strong></a><sup><a href="http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#footnote_0_1251" id="identifier_0_1251" class="footnote-link footnote-identifier-link" title=" What a shameful mistake for an historian! ">1</a></sup> ago, our erstwhile colleague <a href="http://katrinagulliver.com">Katrina Gulliver</a> began cataloging historians on twitter under the title <a href="http://katrinagulliver.posterous.com/tag/twitterstorians">Twitterstorians</a>, and now has a list of a few hundred participants, ranging from personal accounts to institutional ones to historical recreation and quotation lists. </p>
<p>Like any social media, a lot of what happens on twitter appears to be fluff and nonsense, even a lot of what comes from the accounts of bona fide historians. I consider twitter to be a kind of semi-professional discussion: not a private, personal space,<sup><a href="http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#footnote_1_1251" id="identifier_1_1251" class="footnote-link footnote-identifier-link" title=" I use facebook for that, where I limit my contacts to family, close friends and long-time acquaintances. No, I don&amp;#8217;t assume it&amp;#8217;s secret (which is what most people mean by &amp;#8216;private&amp;#8217; but that it&amp;#8217;s out of easy reach, and personal rather than professional) ">2</a></sup> nor a professional project,<sup><a href="http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#footnote_2_1251" id="identifier_2_1251" class="footnote-link footnote-identifier-link" title=" Like this blog, or my course blogs ">3</a></sup> but a space for informal discussions on political, cultural, historical and educational matters (with the ocassional foray into fluff and nonsense, for fun). I do have some local colleagues on twitter, and there are a few other <a href="http://twitter.com/#!/colintyner/japanese-history/members">Japanese historians</a><sup><a href="http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#footnote_3_1251" id="identifier_3_1251" class="footnote-link footnote-identifier-link" title=" not a complete list. Morgan Pitelka has an account, though he doesn&amp;#8217;t say much. I&amp;#8217;m sure there are more, too. There always are. ">4</a></sup> as well as a pretty good collection of non-historian Japan-interested folks.<br />
<span id="more-1251"></span><br />
<a href="http://www.flickr.com/photos/jondresner/5283584555/"><img src="http://farm6.static.flickr.com/5167/5283584555_c5f95dd9be_m.jpg" width="221" height="240" alt="Old Transformers - Kansas 400 - December 2010" align="left" hspace=5/></a>The population of historians, and Japan people, on twitter has a very strong overlap with the blogging world, naturally. Six years ago <a href="http://hnn.us/node/12595">I wrote a meditation on academic blogging</a> in which I argued that the blog was capable of enhancing or extending most of the core functions of the academy, especially the social ones &#8212; teaching, seminars, colloquia, conferences, faculty lounge, writing groups<sup><a href="http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#footnote_4_1251" id="identifier_4_1251" class="footnote-link footnote-identifier-link" title=" I didn&amp;#8217;t include that last time, but I&amp;#8217;ve seen some great examples both on and off twitter ">5</a></sup> &#8212; and that remains true. Twitter is less useful for some of these function, because of the 140 character limit, but even that doesn&#8217;t preclude serious and extended discussions: it just breaks it up.<sup><a href="http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#footnote_5_1251" id="identifier_5_1251" class="footnote-link footnote-identifier-link" title=" and since there&amp;#8217;s overlap between the twitter and blogging world, it&amp;#8217;s not at all uncommon for a discussion to move back and forth from twitter to a blog, and back again. ">6</a></sup> You can also use <a href="http://storify.com/grumpyhistorian/sources-say">Storify to collect a discussion into a more coherent form</a>. And twitter is, arguably, more conducive to the chatting-around-the-coffee-pot (or -over-beer) aspects of academic life, as well as being an excellent medium for quick updates and the &#8220;comment-and-link&#8221; which was the origin of &#8220;web-log.&#8221; Twitter doesn&#8217;t replace blogging as a medium or long form writing platform, but it has effectively displaced some of the shorter, lighter material that might otherwise have appeared on the blog. The immediacy of twitter is also a powerful tool <a href="http://www.froginawell.net/japan/2011/04/history-as-it-happens/">in rapdily emerging situations</a>, though the signal-noise problem is always real. </p>
<p><a href="http://www.flickr.com/photos/jondresner/4728988583/"><img src="http://farm2.static.flickr.com/1425/4728988583_755c695674_m.jpg" width="227" height="240" alt="Portland Art Museum - 19-20c Tomioka Tessai - Everyone Becomes Buddha closer" align=right hspace=5/></a>I&#8217;ve made connections that I might not have otherwise, and strengthened others. I&#8217;ve live-tweeted political events and <a href="http://storify.com/jondresner/samurai-movie-livetweeting-2011">pre-semester movie screenings</a>, I&#8217;ve watched other people live-blog conferences<sup><a href="http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#footnote_6_1251" id="identifier_6_1251" class="footnote-link footnote-identifier-link" title=" I&amp;#8217;ve tweeted from conferences, but mostly didn&amp;#8217;t want to take focus away from my note-taking, which was conspicuous enough ">7</a></sup> and joined in conversations about the scholarship. I&#8217;ve traded syllabus tips and book recommendations. Nothing earthshatteringly new, mind you. But a lively medium, with a good mix of professional and unprofessional conversations, that helps me stay connected, up-to-date, part of the ongoing discussions.<sup><a href="http://www.froginawell.net/japan/2011/09/twitterstorian-anniversary/#footnote_7_1251" id="identifier_7_1251" class="footnote-link footnote-identifier-link" title=" Like all social media, it can be a little addictive/overwhelming at times. I deliberately follow a relatively small number of feeds &amp;#8211; and check a larger number irregularly through the &amp;#8216;lists&amp;#8217; feature &amp;#8211; to keep the flow of information manageable. Selection is key: &amp;#8216;curation&amp;#8217; is the buzzword now, and it&amp;#8217;s not a bad description, as I&amp;#8217;m deliberately trying to maintain both personal connections, and add a small number of high-quality feeds (i.e., people who serve as information gatekeepers!) in areas that I want to know more about. It&amp;#8217;s a learning process ">8</a></sup> It combines the open platform of blogs, the deliberate creation of connections between people which makes facebook interesting, and the ability to have quiet discussions without the whole world following. On the whole, I&#8217;ve enjoyed twitter quite a bit. </p>
<p>I&#8217;ll link here to other Twitterstorian 2nd Anniversary Blog posts as they become available: <a href="http://katrinagulliver.posterous.com/the-twitterstorians-turn-two">Check it out!</a></p>
<ol class="footnotes"><li id="footnote_0_1251" class="footnote"> What a shameful mistake for an historian! </li><li id="footnote_1_1251" class="footnote"> I use facebook for that, where I limit my contacts to family, close friends and long-time acquaintances. No, I don&#8217;t assume it&#8217;s secret (which is what most people mean by &#8216;private&#8217; but that it&#8217;s out of easy reach, and personal rather than professional) </li><li id="footnote_2_1251" class="footnote"> <a href="http://froginawell.net">Like this blog</a>, or my <a href="http://dresnerjapan.edublogs.org">course blogs</a> </li><li id="footnote_3_1251" class="footnote"> not a complete list. <a href="http://twitter.com/#!/mpitelka">Morgan Pitelka</a> has an account, though he doesn&#8217;t say much. I&#8217;m sure there are more, too. There always are. </li><li id="footnote_4_1251" class="footnote"> I didn&#8217;t include that last time, but I&#8217;ve seen some great examples both on and off twitter </li><li id="footnote_5_1251" class="footnote"> and since there&#8217;s overlap between the twitter and blogging world, it&#8217;s not at all uncommon for a discussion to move back and forth from twitter to a blog, and back again. </li><li id="footnote_6_1251" class="footnote"> I&#8217;ve tweeted from conferences, but mostly didn&#8217;t want to take focus away from my note-taking, which was conspicuous enough </li><li id="footnote_7_1251" class="footnote"> Like all social media, it can be a little addictive/overwhelming at times. I deliberately follow a relatively small number of feeds &#8211; and check a larger number irregularly through the &#8216;lists&#8217; feature &#8211; to keep the flow of information manageable. Selection is key: &#8216;curation&#8217; is the buzzword now, and it&#8217;s not a bad description, as I&#8217;m deliberately trying to maintain both personal connections, and add a small number of high-quality feeds (i.e., people who serve as information gatekeepers!) in areas that I want to know more about. It&#8217;s a learning process </li></ol>]]></content:encoded>
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