I am currently working on a paper about Shanghai and modernity – obviously a lot of work has been done on that from the perspective of Chinese modernity but I am trying to understand the ways in which to Westerners it was perceived (in the interwar period) as a ‘modern’ city (or not). Noel Coward wrote Private Lives while staying at the Cathay Hotel, for instance, and I am intrigued by the sudden rush of interest in Shanghai of that period in Western culture (cf.The White Countess, Lust Caution, etc). Anyone here have any opinions/suggestions?
On a side note, I just defended my PhD thesis on Thursday so am finally done!! Apologies for my absence from the site while I was finishing.