Historiographical Triangulation

This could be good, or it could be awful. Or it might be a good first draft, but the effort certainly seems worth noting (emphasis added):

A middle school history textbook jointly written by scholars, teachers and historians of China, Japan and South Korea will be published in May, according to the Asahi Shimbun on Saturday.

The committee has been engaged in compiling the work since 2002 with the aim of establishing a jointly recognized interpretation of history among the three nations and prepare solutions for conflict over the past rather than engage in criticism.

“It is the first time the three countries have worked together on an account of history. It is not an exclusive description of history from a nationalist point of view, but a description for future coexistence that views history with an open mind and respects the opinion of each nation,” the committee said.

About 200 people, including teachers, scholars and civic group members, from China, South Korea and Japan participated in the work, holding a series of domestic and international conferences on the subject.

The textbook will deal with the 18th-20th century, when the Northeast Asian regions witnessed many ups and downs, including the rise of Japanese imperialism and World War II.

In its modern history of the three nations, the textbook details Japan’s colonial rule and resistance against it. The textbook will also present pieces by several scholars of the three nations, providing students with the chance to look into the opinions of each.

Because this project arose out of “an East Asia peace forum on history in Nanjing, China” I suspect more earnestness than precision. Because this is a journalistic description, I won’t take the apparent emphasis on Japanese colonialism to be the only focus of the book, though the existence of widely variant nationalistic narratives of the late 19th-early 20th century certainly justifies both the attempt to write this history as a committee and the need to provide the one-perspective essays which seem to me to dramatically complicate the reading for middle-schoolers.

Actually, I could imagine all kinds of ways in which collaborative history could result in heavily distorted narratives: an anti-communist narrative, for example (drawing on Taiwanese rather than mainland Chinese scholars), or a Marxist interpretation (perhaps less likely with South Korean participation: I don’t know whether South Korean academia shares Japan’s tendency towards oddly doctrinaire scholarship, but there are certainly leftists who could have been part of the process). It doesn’t sound like that’s what they’ve produced, though I would be very interested to see how they handled non-Asian involvement in Northeast Asian affairs.

I can’t tell if there’s an English-language version planned. Anyone want to sponsor a translation, or join a group translation project?

[Via HNN; Crossposted at Cliopatria]

Hanshin Jishin 10th anniversary

White Peril and Far Outliers have notes about the decade-ago disaster. We were in Yamaguchi when it happened: woke me out of a sound sleep from 200 miles away. I immediately, of course, turned on the TV for the earthquake announcements, and didn’t go back to bed for a long time. Some memories and thoughts:

  • There was, coincidentally, a blood donation drive scheduled on the campus of Yamaguchi University the next day. We’d given blood in Japan a time or two before that, I think (the cards are around somewhere: I rarely throw that stuff away). Anyway, I figured we’d go by the mobile station and, if the lines were too bad we’d just give up. No line. We got in, went from station to station (they actually weigh you, if they think you might be borderline) and got stuck and bled with little delay. I know there are Confucian and other traditional issues about blood donations, but given Japan’s bad history with imported blood products I really expected a stronger response.
  • We also participated in a charity concert a month or so later. My wife is a fine musician, and is capable of coaching even a neophyte like me into producing some passable harmonica and harmony backup. It was an all-day production, with dozens of local acts. Woody did one of her own songs (“Miriam’s song” I think, a rousing prayer of praise to the universe), John Denver’s “Country Roads” (very popular among our Japanese friends, particularly with our “Almost heaven, Yamaguchi” modifications) and Stuart Stott’s “Music in my mother’s house” (fantastic nostalgia piece, well worthy of enka-ization). We did a joint piece with a local folksinger as well — I think it was John Lennon’s “Imagine” (I checked with Woody: she also sang Hank Williams’ “Jambalaya”, and the song we sang with the local guy was Dylan’s “Blowin’ in the Wind.” Before the concert, since she was the featured performer, I coached her on the proper offering of condolences… then I did a translation into English. You had to be there.). Not sure how much we contributed to the effort, but it certainly was a change from the school choruses and music clubs that filled most of the program.
  • A few months later, the Jewish group in Iwakuni (mostly Americans associated with the Marine Air Station) raised some money among itself to bring relief goods to the Jewish community in Kobe. We got there on a Friday night in a rented van, and joined in for services and were treated to a fantastic Shabbat dinner by the locals. The Kobe Jewish community is mostly a remnant of WWII refugees, though there is a pretty strong Israeli component, too. The synagogue is Sephardic Orthodox (separate seating for women, the whole bit), and this Ashkenazi Liberal had some trouble keeping up. The building had suffered some structural strains, and a Ten Commandments tablet had been cracked. Otherwise they were doing pretty well. Wandering around Kobe was sobering: well outside the fire zone, there were frequent recently-cleared empty lots in the middle of busy city blocks, raw reminders. Though it could have been worse, of course, but for Japan’s strong seismic construction codes.

We haven’t been back to Japan since ’94, and I wasn’t terribly familiar with Kobe before that. I’d be very curious to hear from people with experience on both sides of the divide how the tragedy has affected people, institutions, architecture, geography.

update: here is an earthquake survivor’s recounting of the long-term personal costs

Japanese Universities in World Context

Tomorrow’s Professor just forwarded a list of the top 500 universities in the world. As the introduction says

Attempting to rank universities world-wide is no easy task [which is why very few organizations have tried to do it] and it is easy enough to take exception to the various criteria used. That said, here is a list of the top 500 universities in the world by rank as determined in a study from the Institute of Higher Education, Shanghai Jiao Tong University, China. A much more detailed description of the criteria used, rankings by geographic area, FAQ’s and the questionnaire itself can be found at: http://ed.sjtu.edu.cn/rank/2004/2004Main.htm

Here are the Japanese institutions which made the list, and their rankings

  • 14, Tokyo Univ
  • 21, Kyoto Univ
  • 54, Osaka Univ
  • 69, Tohoku Univ
  • 97, Nagoya Univ
  • 101-152, Hokkaido Univ, Kyushu Univ, Tokyo Inst Tech, Tsukuba Univ
  • 202-301, Hiroshima Univ, Keio Univ, Kobe Univ, Okayama Univ
  • 302-403, Chiba Univ, Gifu Univ, Gunma Univ, Kanazawa Univ, Nagasaki Univ, Nihon Univ, Niigata Univ, Tokyo Med & Dent Univ, Tokyo Metropolitan Univ, Tokyo Univ Agr & Tech, Univ Tokushima, Waseda Univ, Yamaguchi Univ
  • 404-502, Ehime Univ, Himeji Inst Tech, Jichi Med Sch, Juntendo Univ, Kagoshima Univ, Kumamoto Univ, Nara Inst Sci & Tech, Osaka City Univ, Shinshu Univ, Univ Osaka Prefecture

Keio and Waseda came much further down the list than I expected (the methodology is heavily weighted towards natural science and against social/humanistic studies), though I was gratified to see my research host Yamaguchi U [currently searching for an English instructor] on the list, not to mention Nagoya, my first Japanese hometown.

Side note: why don’t most Japanese universities have official university logo apparel? I know, sweats and T-shirts aren’t all that popular in Japan, and the major ones do (I always loved Keio’s crossed fountain pen nibs). But we had to take a photocopy of the Yamaguchi university logo to a print-shop so we would have T-shirts to trade with our family and friends. The only way to get logo stuff, it seemed, was to belong to one of the clubs, each of which had its own official seal and signs.

On a per capita basis, this is a very good showing; on a GDP basis, it’s just about right, or a bit underperforming (You can see the breakdown by country here). Though not all higher education is created equal, and there are significant pathologies present in Japanese higher-ed, it still bodes well, I think, as a rough measure of the likelihood that Japan will continue to be a strongly productive and innovative economy. The particularly strong showing of technical schools certainly suggests that to me.

One historical note: most of the universities on this list were the product of the US Occupation education reforms, particularly the insistence on public universities in every prefecture. Who would have guessed that in sixty years Japan would fill 1/15th of the world’s best list?

Japanese Historical Maps

I have been going through the H-Japan messages from the last few months, trying to get caught up with my mailing list subscriptions. One wonderful website mentioned, was the the June, 2004 launch of a UC Berkeley/David Rumsey site listing a large number of Japanese historical maps (the maps themselves are not limited to maps of Japan). Here is an excerpt of the message which is more of a general announcement of their whole collection (the above link is specifically to their Japanese maps):

David Rumsey and Cartography Associates announced the launch today of Visual Collections www.davidrumsey.com/collections/, a new digital image collection portal that includes more than 300,000 works from museums, universities and private collections throughout the world. Combined, the collected works create an unparalleled online resource in the arts and humanities that is available for free, public access.

Fine art, photography, maps, architecture and other collections of culture are represented within Visual Collections, which is made possible through the contributions of dozens of institutions. At its launch, more than 30 collections are represented in Visual Collections, ranging from the fine art of Museums & the Online Archive of California (MOAC) to early maps of Scotland from the University of Edinburgh’s Charting the Nation collection.

Their Japan collection is wonderful, do give it a whirl. For Mac users accessing the site: I didn’t have much success with the Safari browser, but it works fine in Firefox.

Speaking of maps and information, Jonathan Dresner has an update over at Cliopatria from AHA.
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China’s use of Japanese history

Young Chinese aren’t well educated in history, and there’s little evidence of much interest. They know what the state wants them to know (“post-Communist” China still retains tight educational and publishing controls and retains a strongly Marxist-Nationalist narrative of history), and apparently the state mostly wants them to know and care about Japan’s WWII atrocities. In fact, it’s a major topic on the Chinese internet, with thousands of Chinese participating in detailed and fervent discussions of wrongs done to their grandparents/great-grandparents’ generation. [via Claire George]

Strategic? Most likely. Illegitimate? Well, yes, in the context of China’s overall historical revisionism; no, in the context of Japan’s leadership’s failure (and much of general society) to come to terms with that history in a meaningful fashion.

Japan’s contribution to nihilistic Islamism

The AHA’s flagship journal American Historical Review doesn’t run Japanese articles all that often and, to be honest, interesting ones even more rarely. But the current edition’s foray is quite worth reading, though I’d like to know if other people’s reactions to it were as reserved as mine. The article is Japan’s Global Claim to Asia and the World of Islam: Transnational Nationalism and World Power, 1900–1945 [AHA membership required] by Selçuk Esenbel, whose previous publications are mostly in the field of Tokugawa peasant studies.

She chronicles decades of intellectual, military and cultural contacts between Japanese and Islamic activists in a variety of fields, but most sharing an anti-Western (or anti-colonial or anti-imperial) modernism. Many of the Japanese names involved are familiar to scholars of Japan’s early-20c right wing, but the degree to which they concieved of political Islam as an ally and bulwark against Near/Middle Eastern colonialism is quite striking. It shouldn’t be, I suppose: these thinkers were so ambitious and global in their ideas that they must have had some concept of how a major world religion fit into the scheme of things, and Japan’s affinity for (i.e. sense of leadership of) modernizing societies in this period was still strong.

There were two main directions to the interaction: scholarship of Islam in Japan (including a surprising number of conversions) and spreading Japanese anti-Westernism in Islamic regions. Pan-Islamism, as Esenbel describes it, isn’t that different from Pan-Asianism as the Japanese preached it, and figures like Ōkawa Shūmei made the connection explicit in print and in personal contacts.

The weakness of the article comes when she tries to make a case for the importance of these theories and contacts. Aside from the interesting new depth it gives to Pan-Asianism, and filling in some of the gaps in the “they really thought they could win these wars?” lists, Esenbel tries to draw some connections to late-20c/21c political Islam, particularly violent Islamist groups. This seems like a huge stretch to me, without making much more explicit personal or intellectual connections between modernist anti-westernism and nihilistic traditionalism in Islamic radical circles. Contemporary Islamism isn’t akin to Ōkawa’s pan-Asianism, but something more like Kita Ikki’s agrarian nationalism: positing a perfect (unattainable) protean socio/cultural/economic “moment” against which the present does not measure up and the “re”establishment of which will require revolutionary and violent action. As others have argued, Islamism isn’t anti-Orientalist as much as it is Occidentalist, and I don’t see that emerging clearly in this history.

Am I looking for the wrong things here? Missing something fundamental?

CFP: ASPAC 2005

I’m a big fan of sub-national academic conferences. The nationals are fine, of course: I’ve gone to quite a few, some even when I wasn’t looking for a job (I’ll be in Seattle in a few weeks for the AHA, for example, and anyone who doesn’t hire my job-seeking copanelists is just not thinking). Lots of interesting folks show up at these things, and the book sellers are more fun than anything happening in whatever city it happens to be in (except for the used bookstores).

Anyway, I just wanted to pass along the Call For Papers for the Pacific Rim regional of the Association of Asian Studies, aka ASPAC. I’m on the board, though as a very junior member; still, it’s nice to be asked and to feel like I can contribute to the institutions I’ve been making use of for years. I’ve been to several of their conferences now, and it’s a nice bunch of folks, serious scholars. Very welcoming of graduate students, too (the competition for the Esterline Prize for Best Grad Student Paper last year was pretty stiff), so I highly recommend it as a venue for airing and polishing dissertation material (I use conferences to give myself writing deadlines: got some big chunks of my dissertation done that way).

If anyone wants to talk about panels, leave a comment. Panel submissions are not at all required, but it makes the program committee’s job easier, and results in more coherent panels which dramatically increases the likelihood that relevant people will hear your paper.

List of Intellectuals

I just finished making a little list of the various Japanese intellectuals mentioned in Victor Koschmann’s essay on “Intellectuals and Politics” in Andrew Gordon ed. Postwar Japan as History. The essay is essentially a short narrative of postwar intellectual history and mentions many of the important figures.I added various tidbits about them as found in the essay. I have not added anything else (or the Kanji characters for their names), even in those cases where the intellectuals are well known for things not mentioned in that essay. However, since the list may be of some use to someone, I have posted it in pdf format for download.

Successful Sakoku?

Talking about the semi-seclusion policies of the Tokugawa polity in class recently, and a student asked “was it a successful policy?” I had already outlined the various exceptions: foreigners allowed into Japan (Dutch, Chinese, Korean); Japanese allowed out and back in again (And I note that Michael Wood is leading the students, who presented in the summer at ASPAC, to the AAS this spring, bringing their fascinating material to a wider audience); limited trade contacts, and information flows. The question was not about whether it was a full seclusion policy, but about whether it accomplished the goals set for it and generally positive results.

I had to stop and think about that. I know that there is some disagreement over the economic implications of trade limitation, but Tokugawa growth is pretty substantial and its hard to argue that it’s a serious problem, even if growth could, theoretically have been greater without serious social problems resulting. The policy certainly is a success — along with investigations and temple registrations — from the standpoint of the suppression of Christianity in Japan, reducing a growing population to a few “hidden Christian” sects. From a cultural standpoint, including science and technology, Japan isn’t much more isolated or xenophobic than China during the same period (and China doesn’t, in the end, come out as well as Japan, so perhaps China would have been better off more isolated) and manages to catch up with the 18-19c military technology pretty quickly when push comes to shove.

Is it a success? Is it a mistake to talk about historical phenomena in those terms?

Movie: 2009 Lost Memories

I recently watched the 2001 Korean science fiction movie called 2009 Lost Memories (2009 로스트메모리즈, IMDB entry) written and directed by Lee Si-myung (이시명). The movie is set in Seoul and Manchuria, both parts of the Japanese empire in an alternate 21st century and tells the story of a militant Korean resistance movement trying to restore the “true” history of the 20th century that gave Korea its freedom from Japanese oppression as early as 1945. It was definitely not up to the standard of some of the excellent movies I have seen lately coming out of South Korea. In fact, I don’t recommend this movie to anyone. The movie is, however, worth a few comments and a quick summary.

The truth is that I have always had a weak spot for movies, like this one, which make attempts at “alternative history.” Perhaps my favorite alternative history work was the book and movie Fatherland, which I came across just out of high school. I haven’t the slightest idea what real historians have to say about the work (or what I would think going back to watch it now), but at the time, it certainly added to my interest in history. While historically based movies of all kinds do much the same, the less common genre of alternative history can be especially good at generating an excitement about history and historical problems, something that gets forgotten when we plough through the scenes in search of inaccuracies and anachronisms. Alternative history also shares with science fiction (and in this case, the movie is at home in both genres) an often surprisingly transparent look at the contemporary world of the filmmakers.

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Sondheim’s Perry?

I had no idea: Stephen Sondheim (yes, I’m one of his many fans) wrote a musical about the arrival of Commodore Perry called Pacific Overtures. There’s a new version of it being staged in New York: anyone know if there’s a soundtrack, or video version of it (current or former versions) available?

I’m almost afraid to find out, really, what he did with it: there’s so much bad historical fiction and drama out there….

Breaking News: WWII won’t go away

OK, that’s not all that surprising at this point. But I was a bit taken aback when three articles all about separate aspects of WWII in Japan showed up in the History News Network Breaking News file in one day:

  • A French politician (le Pen’s National Front) and professor of Japanese studies at Lyon whose degrees are from Kyoto University is under investigation in France for Holocaust denial.
  • The Japanese Minister of Education Nakayama Nariaki is “really glad that recently there are fewer words such as ‘comfort women’ and ‘forced relocation’ used in textbooks.” He thinks that earlier editions propogated a “self-tormenting” view of history whereas “It is very important to teach the future children of Japan so that they can live with pride in their race and their history.”
  • Japan’s Supreme Court has ruled that there is no constitutional grounds for the Japanese government to compensate victims of Japan’s colonial and wartime policies in Korea.

Frankly, this is all business as usual. That’s quite disappointing, of course. I tell my students that history is as much about stability as it is about change, and the roots of stability need to be examined as closely as the causes of change. But it’s still disappointing.

What If

Jonathan Dresner, our most active member here at Frog in a Well has an interesting posting at Cliopatria on the 1000 top OCLC library books by purchase. Dresner looks at the placing of history books in general, and has this to say about Japan related (or at least sounding like they are) books:

Only one Japanese author made the list, “Murasaki Shikibu” for Tale of Genji (#668); but Japan was also the subject of Sullivan and Gilbert’s Mikado (#878), Hersey’s Hiroshima (#333) and Pirsig’s Zen and the Art of Motorcycle Maintenance (#883) (no, it isn’t, I know that).

I haven’t gone through the whole list myself so I can’t say whether there are other entries, but if so, what do we think about this?

For those of us who study Japanese history or the region in general, what 4 books which are set in Japan, are on Japan or about the region might we wish had made the list? Almost all the candidates that immediately come to mind which had a big impact on my own interest in Japan I have since come to feel might be problematic or are too academic to be interesting to the average library patron. I will say, however, that Hersey’s Hiroshima left a profound imprint on me and I’m fairly comfortable with its inclusion.

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